Director Samuel Bodin and writer Chris Thomas Devlin may not do anything terribly new or original with their visceral shocker Cobweb, but their exceedingly confident production still manages to entertain.

Christopher Nolan’s Oppenheimer is the type of old-school, star-studded, epic historical biography Hollywood does not make anymore.

Brooklyn 45 never takes the easy way out, asking tough questions and leaving it up to the audience to ascertain the majority of the answers for themselves.

There’s good, oftentimes scary stuff hiding in The Boogeyman’s darkness, all of which helps make this summertime horror offering more treat than trick.

Eternal beauty comes with a price – Vincent Price – in the House of Wax, a timeless gothic 3-D horror masterpiece celebrating its 70th anniversary

Sidney Lumet’s 12 Angry Men remains a masterpiece.

I don’t have a lot of nice things to say about The Best Man. It isn’t very good.

Anyone walking into Evil Dead Rises should hopefully know what they’re getting themselves into.

Air is phenomenally entertaining.