A Good Woman Is Hard to Find is easy to love, and from its rough pugilistic edges to its unvarnished cutthroat emotions there’s not a single facet of it that I don’t want to stand up and applaud.
The Wretched is a fun flick, and even if it didn’t leave a lasting impression that doesn’t mean I was any less entertained.
The final cry The Whistlers makes is one of forgiveness and grace, the unspoken connective pull of human understanding impossible to resist.
Witches in the Woods isn’t much fun to watch.
The didactic preachiness is too toothless to become truly tiresome, and in some ways that might just be the most disappointing and frustrating facet of The Hunt of them all, making this satirical safari unworthy of any more of my attention.
The Traitor is a sprawling exposé that covers decades of criminal escapades, all of it seen through the eyes of a man who refuses to consider himself an informer.
The Invisible Man is next-level stuff that signifies his arrival as a talented storyteller who has an innate ability to take seemingly tired concepts and ideas and make them feel original and contemporary.
Brahms: The Boy II is a lazy sequel.
The Lodge is powerfully haunting stuff, things building to a climactic turn of events that are as shocking as they are in some ways equally warranted.