Lights Out is a waste of time.

Out of the Darkness shines a light on modern troubles, and by dipping into the past, the film asks the audience to consider how tenuous and uncertain humanity’s future survival truly is.

Argylle is exhausting.

I.S.S. asks several troubling and unpleasant questions, and the film refuses to make things easy on the audience by smothering them in obvious or easy answers.

Miller’s Girl frequently vacillates between being insightful and facile, many times within the same scene, and because of this, it’s incredibly difficult to generate anything more than an emotionally cursory involvement in what is going on.

Oscar winner Ariana DeBose and director Gabriela Cowperthwaite blur the lines between science fiction and science fact with the timely I.S.S.

The Beekeeper makes honey out of hooey.

Night Swim quickly sinks to the bottom of the pool.

Even if Silent Night is lesser Woo, it’s still nice to have the Hong Kong titan flexing his action muscles in Hollywood again, and all I want for Christmas is an announcement that he’ll have another present for us to unwrap in the very near future.