Night Swim quickly sinks to the bottom of the pool.

Even if Silent Night is lesser Woo, it’s still nice to have the Hong Kong titan flexing his action muscles in Hollywood again, and all I want for Christmas is an announcement that he’ll have another present for us to unwrap in the very near future.

Saltburn never plays it safe, and where Fennell takes things is guaranteed to anger a fair share of the viewing public.

I had no idea what to expect when It’s a Wonderful Knife came my way. I certainly did not envisage it becoming an instant, holiday-themed, comfort-film favorite.

“If they are joking after the movie, I don’t want that. I prefer they not talking, not laughing. I prefer the silence. I want them to go home to go to sleep and not be able to. That’s what I prefer.”
– Demián Rugna

As slight and as inconsequential as it may be, The Killer is still quite amusing, even if it does vanish from memory not too long after the story’s events have concluded.

Scorsese looks the audience in the eye, daring us to turn away, knowing that if we do, then we’re not only willing to purposefully not learn from our rancid and racist history but, even more appallingly, we’re ready to forgive it, too.

Terrence Malick’s ethereal, windswept ballad of love, lust, and nature’s wrath remains an otherworldly triumph

Dark Harvest is a gory holiday treat I’m almost certain viewers will enjoy gobbling up just as much as I did.