VFW (2019)

by Sara Michelle Fetters - February 18th, 2020 - Movie Reviews

VFW is a cracking thriller, its pulse-pounding theatrics making this an agreeably bruising good time I loved every single gosh darn blood-soaked second of.

VFW is a cracking thriller, its pulse-pounding theatrics making this an agreeably bruising good time I loved every single gosh darn blood-soaked second of.

Gretel & Hansel (2020)

by Sara Michelle Fetters - February 1st, 2020 - Movie Reviews

Gretel & Hansel is not the fairy tale you know.

Gretel & Hansel is not the fairy tale you know.

The Rhythm Section (2020)

by Sara Michelle Fetters - January 31st, 2020 - Movie Reviews

The Rhythm Section just can’t keep the beat, and for a composition that initially showed so much promise for things to ultimately fall so flat the likelihood I’ll be playing this record again anytime soon is understandably slim.

The Rhythm Section just can’t keep the beat, and for a composition that initially showed so much promise for things to ultimately fall so flat the likelihood I’ll be playing this record again anytime soon is understandably slim.

The Turning (2020)

by Sara Michelle Fetters - January 26th, 2020 - Movie Reviews

Based on the way The Turning ends, I’m not so sure there’s very much of James left to be discussed and dissected.

Based on the way The Turning ends, I’m not so sure there’s very much of James left to be discussed and dissected.

The Gentlemen (2019)

by Sara Michelle Fetters - January 24th, 2020 - Movie Reviews

The Gentlemen races towards an inventive conclusion that brought a smile to my face and sent me out of the theatre with a skip in my step. Ritchie returns to his Brit crime caper roots with thrilling aplomb.

The Gentlemen races towards an inventive conclusion that brought a smile to my face and sent me out of the theatre with a skip in my step. Ritchie returns to his Brit crime caper roots with thrilling aplomb.

Bad Boys for Life (2020)

by Sara Michelle Fetters - January 17th, 2020 - Movie Reviews

Bad Boys for Life is an enjoyable action-comedy throwback that remembers to put its two main characters first and all of the adrenaline-fueled theatrics second. It’s a heck of a lot of fun.

Bad Boys for Life is an enjoyable action-comedy throwback that remembers to put its two main characters first and all of the adrenaline-fueled theatrics second. It’s a heck of a lot of fun.

Les Misérables (2019)

by Sara Michelle Fetters - January 10th, 2020 - Movie Reviews

This might not be Victor Hugo’s story, but that doesn’t mean Les Misérables doesn’t still bear the author’s imprint, the ending of this story a mixture of tragedy, compromise, disappointment and, yes, even hope that leaves many questions unanswered and the future for all involved painfully uncertain.

This might not be Victor Hugo’s story, but that doesn’t mean Les Misérables doesn’t still bear the author’s imprint, the ending of this story a mixture of tragedy, compromise, disappointment and, yes, even hope that leaves many questions unanswered and the future for all involved painfully uncertain.

The Sonata (2018)

by Sara Michelle Fetters - January 10th, 2020 - Movie Reviews

Andrew Desmond’s feature-length narrative debut The Sonata is a literate, methodically paced throwback gothic thriller that plays a little like a Hammer production from the mid-to-late 1960s that would have starred Peter Cushing and Christopher Lee in the two primary male roles.

Andrew Desmond’s feature-length narrative debut The Sonata is a literate, methodically paced throwback gothic thriller that plays a little like a Hammer production from the mid-to-late 1960s that would have starred Peter Cushing and Christopher Lee in the two primary male roles.

Underwater (2020)

by Sara Michelle Fetters - January 9th, 2020 - Movie Reviews

Underwater gets the job done. I liked it a lot. Heck, I’m likely to head to the theatre and see it again before January ends.

Underwater gets the job done. I liked it a lot. Heck, I’m likely to head to the theatre and see it again before January ends.

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