The final moments of Elevator Game are a disaster.

A Haunting in Venice is cracking good fun.

Much like its 2018 predecessor, The Nun II plays out like an old-school horror effort from the 1960s, only this time a little less creatively imaginative and tonally unhinged.

Christopher Lee battles the Angel of Death and other supernatural adversaries in Hammer’s essential The Devil Rides Out

The Last Voyage of the Demeter is a great deal of insidious fun, and I have a sneaky suspicion that my fondness for it will only grow as I return to it again and again over the coming years.

Talk to Me is a lot of unsettling fun.

Director Samuel Bodin and writer Chris Thomas Devlin may not do anything terribly new or original with their visceral shocker Cobweb, but their exceedingly confident production still manages to entertain.

Christopher Nolan’s Oppenheimer is the type of old-school, star-studded, epic historical biography Hollywood does not make anymore.

Brooklyn 45 never takes the easy way out, asking tough questions and leaving it up to the audience to ascertain the majority of the answers for themselves.