Cameron Crowe’s Elizabethtown has only gotten better with age, and I’m starting to think if it might actually be one of the writer-director stronger motion pictures.
I Care a Lot might be the most amoral pitch-black comedy-thriller I’ve seen this side of Joel and Ethan Coen’s Burn After Reading.
Fennell has delivered a gut-wrenching, must-see work of infuriated genius, and as painful as portions of Promising Young Woman were for me to experience, I’d happily go through the trauma of additional viewings as soon as the opportunity to do so arises.
Soul ends on the perfect note, its last moments overflowing in voluminous human insights so melodious I could happily hum its climactic tune for a lifetime and likely never grow tired of hearing it.
The Wolf of Snow Hollow has continued to grow on me. I had a marvelous time revisiting the film on Blu-ray, Jim Cummings’ small snowy town character study masquerading as a supernatural horror movie bringing a great big smile to my face.
Murphy’s joy in slapping me silly for every second of The Prom’s laborious 130 minutes was more than I could take, this laudably inclusive LGBTQ high school musical a celebratory dance I’d rather not have been invited to attend.
The Stand In moves through the motions with a plodding laboriousness that grows increasingly irritating, and almost all of the supporting players are never around long enough to make anything more than a passing impression.
Happiest Season is a comfortingly romantic present almost guaranteed to bring its recipient joy, and all things considered in a year overflowing with humbug this small gift of holiday cheer is more than enough to satisfy.
Thanks to the talented cast a lot of the humor worked for me, and as relentlessly energetic as The Croods: A New Age can be, I still spent the majority of my time watching it with a gigantic grin plastered on my face.