Air is phenomenally entertaining.

Based on articles written by New York Times reporters Megan Twohey and Jodi Kantor in 2017, the investigative journalism procedural She Said is as enthralling as it is infuriating.

Kidman is extraordinary.

Scott dares the audience to accept what he is doing, no questions asked, making House of Gucci a lethally deranged haute couture treatise on avarice, fashion, family and fame I’m going to be thinking about for a long time to come.

King Richard is one of 2021’s best films. See it at once.

The Electrical Life of Louis Wain is a suitably strange biopic that goes out of its way to emulate the documented idiosyncratic peculiarities of its subject. It’s also a movie I wish I enjoyed far more than I frustratingly did.

This is a richly talented ensemble, and every member puts forth their best effort.

Mank is nothing more than a metaphorical celluloid sled of failed dreams and misguided ambition burning to ash in a fiery furnace fueled by frustratingly combustible emptiness.

Sorkin’s latest directorial offering The Trial of the Chicago 7 is timely, engaging and undeniably thought-provoking. It is also spectacularly acted across the board.