The Harbinger is director-writer-editor-composer-producer Andy Mitton’s best film yet.

Coraline is the visually magical film that started it all for Laika back in 2009, and it’s safe to say director Henry Selick’s delectably sinister animated marvel hasn’t lost an ounce of its charm.

Of all of the Laika films that the studio has released since 2009’s Coraline, I think ParaNorman has aged the best.

“I wouldn’t want to project any of my own expectations or hopes or desires onto anyone else. As an avid moviegoer, I like to go into a movie with an open mind and a clean slate, without all that noise around me of how I should feel or the messages I should take away.”
– Michael Ausiello

Christmas Bloody Christmas is a gruesome slice of holiday cruelty that knows exactly what it is and doesn’t try to be anything else, and that’s exactly as it should be.

The hero may die, but love still lasts forever, and that makes Spoiler Alert a timeless romantic melodrama worth swooning over.

Peking Express is a gorgeously shot oddity built on an unstable foundation.

Violent Night does exactly what it sets out to do, and does so with panache, frivolity, and style. It’s a blood-splattered act of resistance, and not since Billy Chapman went on his Silent Night, Deadly Night rampage has a Santa Claus crushed so many skulls as he removes names from his extensive “naughty” list.

NEAR DARK: 35 years of atmospheric thrills, chills, and challenging expectations with Kathryn Bigelow’s vampire western