Avatar: The Way of Water builds to a final hour of action and suspense that blew me through the theater’s back wall.

There is nothing subtle about writer-director Sam Mendes’s Empire of Light.

The Harbinger is director-writer-editor-composer-producer Andy Mitton’s best film yet.

Coraline is the visually magical film that started it all for Laika back in 2009, and it’s safe to say director Henry Selick’s delectably sinister animated marvel hasn’t lost an ounce of its charm.

Of all of the Laika films that the studio has released since 2009’s Coraline, I think ParaNorman has aged the best.

Christmas Bloody Christmas is a gruesome slice of holiday cruelty that knows exactly what it is and doesn’t try to be anything else, and that’s exactly as it should be.

The hero may die, but love still lasts forever, and that makes Spoiler Alert a timeless romantic melodrama worth swooning over.

Peking Express is a gorgeously shot oddity built on an unstable foundation.

Violent Night does exactly what it sets out to do, and does so with panache, frivolity, and style. It’s a blood-splattered act of resistance, and not since Billy Chapman went on his Silent Night, Deadly Night rampage has a Santa Claus crushed so many skulls as he removes names from his extensive “naughty” list.