Jack Palance and Martin Landau gleefully ham it up, and there’s a nifty plot twist at roughly the two-thirds mark that’s moderately surprising, but otherwise Without Warning is one of those low-budget 1980s oddities that never fully delivers on its promise.

“It’s the film I hoped it would be. It’s sort of a wonderful escape for two hours from this wretched world we’re living in, and it makes you laugh and it makes you cry. What more can you ask?”
– Director Simon Curtis

Emergency rages against the status quo with fiery imagination and shrewdly perceptive resolve, it’s screeching tires of revolution a clarion call of societal change viewers should take the time to listen to.

I’m as shocked as anyone by just how much I adored Downtown Abbey: A New Era.

Singin’ in the Rain: Celebrating 70 years of saying, “Yes! Yes! Yes” to a timeless musical classic

Maybe Firestarter is unadaptable?

The Sadness is one of the more aggressively bleak, disturbing, and depraved horror films I’ve ever seen. While I know that sounds like hyperbole, trust me when I say it is not.

It doesn’t happen immediately, but when it matters most, Raimi unleashes all of the crazy, comedically vaudevillian, blood-soaked, visually audacious tricks fans expect from him, and Doctor Strange in the Multiverse of Madness comes alive like no other MCU entry in recent memory.

Victor/Victoria: Blake Edwards’ 1982 gender-bending Parisian musical farce remains ahead of its time