I’m not going to badmouth Falling for Christmas. Nothing truly terrible happens, and even in something as middling as this, it’s still wonderful to see Lohan back on the screen, willing to do whatever it takes to generate a laugh or get those sitting in the audience to smile.
The good news is that watching Enola run around Victorian London solving crimes, getting into trouble with Tewksbury, and in general making a fiercely independent feminist nuisance of herself remains a great deal of fun.
The Banshees of Inisherin is unquestionably one of the year’s best films.
Heading back into the American wilderness with Hawkeye, Chingachgook, and The Last of the Mohicans
Black Adam is a super-powered misfire.
Ticket to Paradise is more staycation than vacation, and as such it is equally as memorable.
Feig’s film is nowhere near as fully realized or as creatively satisfying as I kept hoping it was going to be, making The School for Good and Evil a mixed bag of magic tricks.
Dark Glasses is a satisfying return to form for Argento, this nifty little retro Giallo slasher a tasty October treat worth savoring.
The climax of Halloween Ends is pure, unabashed, blood-soaked nonsense, culminating in that full-throttle showdown that’s been 44 years in the making and promised in the sequel’s title.