Like most horror anthologies, the first season of Creepshow is unsurprisingly hit-and-miss. But the hits, most notably “House of the Head,” “The Finger” and “The Man in the Suitcase,” are pretty terrific, while the misses are still just amusing enough to not get all that upset that they’re not nearly as strong as some of their counterparts are.
The High Note is so much fun to watch any issues I have keep evaporating into the ether almost as if they never existed in the first place.
The Vast of Night is a fast-paced genre excursion into the mysterious unknown. It held me breathlessly spellbound for almost 90 minutes, the haunting nature of the questions it enthusiastically asks as prescient and as essential now as they ever were back during the McCarthyism 1950s time period in which this tale is set.
Cattaneo’s latest was a balm for my soul, injecting a dollop of joy into my heart while a happy tear or two ran down the side of my cheek. I liked Military Wives, and I’m happy to sing its praises as vociferously as I can.
Proximity is a visually striking disappointment, and as far as close encounters go this is one I’m not going to be ruminating on in any sort of detail anytime soon.
Holy freaking cow the technical aspects of this 4K Ultra HD version of Steven Spielberg’s War of the Worlds are nothing less than dazzling. From an audio-visual standpoint, this disc is perfect.
“When I read the script, Sarah Bolger is pretty much the only person I could see in the lead role.”
– Abner Pastoll
A Good Woman Is Hard to Find is easy to love, and from its rough pugilistic edges to its unvarnished cutthroat emotions there’s not a single facet of it that I don’t want to stand up and applaud.
How to Build a Girl made me happy, and right now that’s one positive I’m not about to close my ears to.