Wanderland is a quaint, endearingly eloquent miracle that meandered right into the center of my heart, the bliss I felt watching it a euphoric song I find I want to memorize and sing for myself.
The final moments of Ghost Stories are breathless in their overarching melancholic despair, the emotional tragedy of life’s bad decisions, missed opportunities and somber regrets taking a devastating toll.
I Feel Pretty might have a lot to say but that doesn’t mean it does so as clearly or as well as it wants to. While not without its merits and its laudable aspects, this socially conscious comedy is a strange, unfocused misfire I almost wish I could somehow forget.
Lowlife might be a little derivative of the myriad of low budget crime thrillers that became so popular during the 1990s, but that doesn’t make the film itself any less enjoyable, Prows crafting an exhilarating debut that’s got me genuinely excited to see what he’ll get up to next.
Phantom Thread is a triumph for Paul Thomas Anderson and a motion picture I’m sure to be returning to multiple times in the very near future. Magnificent.
I think I’m starting to fall in love with Molly’s Game.
“I think the movie is about the importance of kindness, about having compassion for those that are having such difficult lives. I think that’s what I would like people to take away, the thought that maybe we could all be a little bit kinder to one another.”
– Andrew Haigh
The bitter truths of life’s regrets and hardships are all ones Charlie gets to look upon with a forceful clarity that is rare for a teenager to experience, his ability to persevere and still cling onto the aspirational hopes and dreams of a future adulthood that’s right around the corner unforgettably inspiring.
It’s the rest of the movie that’s something of an irredeemably baffling genre disaster, Truth or Dare one supernatural game of horror nonsense I’d honestly rather not have played.