CONTEST – Women’s History Month Digital Code Giveaway

by Sara Michelle Fetters - March 24th, 2020 - Features

Enter to win a free digital copy of either Bombshell, Judy, The Hunger Games, A Simple Favor and The Spy Who Dumped Me courtesy of Lionsgate Home Entertainment.

Enter to win a free digital copy of either Bombshell, Judy, The Hunger Games, A Simple Favor and The Spy Who Dumped Me courtesy of Lionsgate Home Entertainment.

Ride Like a Girl (2019)

by Sara Michelle Fetters - March 13th, 2020 - Movie Reviews

Ride Like a Girl is a victorious gem, sprinting to the finish line with a gleeful enthusiasm that’s downright infectious.

Ride Like a Girl is a victorious gem, sprinting to the finish line with a gleeful enthusiasm that’s downright infectious.

The Hunt (2020)

by Sara Michelle Fetters - March 12th, 2020 - Movie Reviews

The didactic preachiness is too toothless to become truly tiresome, and in some ways that might just be the most disappointing and frustrating facet of The Hunt of them all, making this satirical safari unworthy of any more of my attention.

The didactic preachiness is too toothless to become truly tiresome, and in some ways that might just be the most disappointing and frustrating facet of The Hunt of them all, making this satirical safari unworthy of any more of my attention.

A Quiet Place (2018) – Mondo X SteelBook Series (4K Ultra HD)

by Sara Michelle Fetters - March 10th, 2020 - 4K Ultra HD Blu-ray and DVD

Let me be frank, if you’re thinking about buying this new edition of A Quiet Place you’re either grabbing this title for the first time, upgrading from the previous Blu-ray or are a collector of the Mondo X SteelBook line. These are all excellent reasons to pick this release up.

Let me be frank, if you’re thinking about buying this new edition of A Quiet Place you’re either grabbing this title for the first time, upgrading from the previous Blu-ray or are a collector of the Mondo X SteelBook line. These are all excellent reasons to pick this release up.

“Swallow” – Interview with Carlo Mirabella-Davis

by Sara Michelle Fetters - March 6th, 2020 - Interviews

“I think Haley delivers a tour de force performance that will knock everyone’s socks off. She poured every iota of her soul into this project, and it’s transcendent to watch her.”
– Swallow writer/director Carlo Mirabella-Davis

“I think Haley delivers a tour de force performance that will knock everyone’s socks off. She poured every iota of her soul into this project, and it’s transcendent to watch her.”
– Swallow writer/director Carlo Mirabella-Davis

Greed (2019)

by Sara Michelle Fetters - March 6th, 2020 - Movie Reviews

The drama, comedy, satire and commentary don’t merge into anything meaningful, Greed a stiflingly discombobulated letdown that can’t pay its entertainment bills without going into the red.

The drama, comedy, satire and commentary don’t merge into anything meaningful, Greed a stiflingly discombobulated letdown that can’t pay its entertainment bills without going into the red.

Swallow (2019)

by Sara Michelle Fetters - March 6th, 2020 - Movie Reviews

Mirabella-Davis manages to bring all of the various themes he’s been exploring throughout Swallow to shockingly haunting culmination, all of which makes his insightful drama nothing less than unforgettable.

Mirabella-Davis manages to bring all of the various themes he’s been exploring throughout Swallow to shockingly haunting culmination, all of which makes his insightful drama nothing less than unforgettable.

The Traitor (2019)

by Sara Michelle Fetters - March 6th, 2020 - Movie Reviews

The Traitor is a sprawling exposé that covers decades of criminal escapades, all of it seen through the eyes of a man who refuses to consider himself an informer.

The Traitor is a sprawling exposé that covers decades of criminal escapades, all of it seen through the eyes of a man who refuses to consider himself an informer.

The Way Back (2020)

by Sara Michelle Fetters - March 6th, 2020 - Movie Reviews

While some of the core fundamentals are strong, and even though Affleck dominates the dramatic paint as if he were Bill Walton grabbing another rebound, The Way Back emotionally double-dribbles far too often before ultimately clanking the last shot off the front of the iron just as time expires.

While some of the core fundamentals are strong, and even though Affleck dominates the dramatic paint as if he were Bill Walton grabbing another rebound, The Way Back emotionally double-dribbles far too often before ultimately clanking the last shot off the front of the iron just as time expires.

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