Elvis (2022)

by Sara Michelle Fetters - June 24th, 2022 - Movie Reviews

If this overheated phantasmagorical whirligig didn’t quite set my heart on fire, thanks in large part to Butler’s mesmerizing magnificence, I still couldn’t have stopped falling in love with Elvis even had I wanted to try.

If this overheated phantasmagorical whirligig didn’t quite set my heart on fire, thanks in large part to Butler’s mesmerizing magnificence, I still couldn’t have stopped falling in love with Elvis even had I wanted to try.

Spiderhead (2022)

by Sara Michelle Fetters - June 24th, 2022 - Movie Reviews

Spiderhead is a great Twilight Zone or Black Mirror scenario, only one that offers up a terrific idea, asks several fascinating questions, and then frustratingly doesn’t know how to reach a satisfying resolution.

Spiderhead is a great Twilight Zone or Black Mirror scenario, only one that offers up a terrific idea, asks several fascinating questions, and then frustratingly doesn’t know how to reach a satisfying resolution.

Good Luck to You, Leo Grande (2022)

by Sara Michelle Fetters - June 17th, 2022 - Movie Reviews

As slight as Good Luck to You, Leo Grande is, there is something so distinctly personal about what Brand and Hyde are doing that it’s doubtful their sublime little comedy-drama will dissipate from my memory anytime soon.

As slight as Good Luck to You, Leo Grande is, there is something so distinctly personal about what Brand and Hyde are doing that it’s doubtful their sublime little comedy-drama will dissipate from my memory anytime soon.

Lightyear (2022)

by Sara Michelle Fetters - June 17th, 2022 - Movie Reviews

Lightyear is nonsense, but it is frequently enthralling nonsense.

Lightyear is nonsense, but it is frequently enthralling nonsense.

“The Passenger” – Interview with Fernando González Gómez

by Sara Michelle Fetters - June 10th, 2022 - Film Festivals Interviews

“We love that in our movies you can find a subtext. You can find more things when you watch a second time.”
– Fernando González Gómez

“We love that in our movies you can find a subtext. You can find more things when you watch a second time.”
– Fernando González Gómez

Jurassic World Dominion (2022)

by Sara Michelle Fetters - June 10th, 2022 - Movie Reviews

Jurassic World Dominion is dumb without the fun, and that just makes me sad.

Jurassic World Dominion is dumb without the fun, and that just makes me sad.

The Passenger (2021)

by Sara Michelle Fetters - June 10th, 2022 - Film Festivals Movie Reviews

The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.

The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.

“Fire Island” – Interview with Andrew Ahn and Joel Kim Booster

by Sara Michelle Fetters - June 3rd, 2022 - Interviews

“I think it’s about joy, and finding the joy in being Gay and being Queer.”
– Joel Kim Booster

“I think it’s about joy, and finding the joy in being Gay and being Queer.”
– Joel Kim Booster

Crimes of the Future (2022)

by Sara Michelle Fetters - June 3rd, 2022 - Movie Reviews

Crimes of the Future is a futuristically retro slice of body horror that left me speechless. It is a twisted descent into madness, refusing to coddle its audience or offer up a single happy ending. I wouldn’t have had it any other way.

Crimes of the Future is a futuristically retro slice of body horror that left me speechless. It is a twisted descent into madness, refusing to coddle its audience or offer up a single happy ending. I wouldn’t have had it any other way.

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