I.S.S. asks several troubling and unpleasant questions, and the film refuses to make things easy on the audience by smothering them in obvious or easy answers.

Miller’s Girl frequently vacillates between being insightful and facile, many times within the same scene, and because of this, it’s incredibly difficult to generate anything more than an emotionally cursory involvement in what is going on.

Oscar winner Ariana DeBose and director Gabriela Cowperthwaite blur the lines between science fiction and science fact with the timely I.S.S.

Which Brings Me to You isn’t worth watching before sunrise, and it certainly doesn’t warrant any attention before sunset, either.

All of Us Strangers is maybe 2023’s best film.

Bella’s liberation in Poor Things is the type of rapturous euphoria we can all learn from.

Napoleon is only a cracked shell of what Scott originally wanted to deliver, so that it does not fully work is hardly a surprise.

Saltburn never plays it safe, and where Fennell takes things is guaranteed to anger a fair share of the viewing public.

On its 75th anniversary, the transformative wonders of The Red Shoes continue to dance its way into my heart