There is a beauteously ruthless toxicity to Mollner’s cruel world that’s honestly glorious, and for those that get on his wavelength, Strange Darling is a great deal of malicious fun.

I felt like watching Crescent City was a waste of my time, and as far as I’m concerned that says it all.

As a straightforward monster-in-a-haunted-house variation with an exceptionally high body count, Alien: Romulus tends to be a lot of suitably nasty fun.

The hypnotically bizarre The Vourdalak is a one-of-a-kind supernatural chiller directed with stylish creativity by inventive French newcomer Adrien Beau.

Longlegs twists the knife in elegantly troubling ways.

Neon-drenched MaXXXine brings the X trilogy to a suitably bloody conclusion

A single act of kindness. A monetary instance of compassion. That’s all it takes to help someone in their darkest hour. Heck, it may even be enough to save the world.

There are no cheap jump scares. No sudden outbursts of chaos or gore. Violence is (mostly) of the psychological variety and, more to the point, almost always self-inflicted.

Uneven Watchers Still Overflows in Supernatural Dread The Watchers, adapted from the novel by A.M. Shine, was written for the screen and directed by Ishana Night Shyamalan and produced by her The Sixth Sense, Signs, and Unbreakable filmmaker father M. Night Shyamalan. It’s the story of a young woman, artist Mina (Dakota Fanning), who finds […]