There are no cheap jump scares. No sudden outbursts of chaos or gore. Violence is (mostly) of the psychological variety and, more to the point, almost always self-inflicted.

Uneven Watchers Still Overflows in Supernatural Dread The Watchers, adapted from the novel by A.M. Shine, was written for the screen and directed by Ishana Night Shyamalan and produced by her The Sixth Sense, Signs, and Unbreakable filmmaker father M. Night Shyamalan. It’s the story of a young woman, artist Mina (Dakota Fanning), who finds […]

There is a moment in In a Violent Nature that will rightfully go down in slasher movie lore.

Nightwatch: Demons Are Forever might be the most unexpected “legacy sequel” to ever hit screens.

Infested is great, and I almost hate myself for watching it as it’s undoubtedly going to give me nightmares.

Abigail is a loopy, freewheeling lark that inventively reworks vampire mythology in several ingenious ways.

For those open to downbeat descents into carnage, Model House struts across the horror catwalk with cheerless confidence.

The devil is in the details, and Stevenson’s attention to all of them makes The First Omen an unforgettably sacrilegious delight.

With Ghostbusters: Frozen Empire, busting still makes me feel good.