If nothing else, Cocaine Bear does not try to sell itself as something it is not. There is a bear. It is addicted to cocaine. It proceeds to kill several people. Gory, whacked-out weirdness transpires over an economical 95 minutes.

Mexican import Huesera: The Bone Woman is not for the faint of heart.

For every positive stride Shyamalan takes toward LGBTQ representation in Hollywood, there are almost as many going upsettingly backward, and I’m starting to think Knock at the Cabin was one cinematic rap on the door I should have left unanswered.

Cloverfield is an outstanding giant monster movie, and it has only gotten better over the past 15 years.

There is a nifty idea sitting at the center of Kids vs. Aliens. Too bad Eisner and his talented team don’t end up doing anything equally nifty with it.

Pretty positive M3GAN and I will be friends to the end.

The Harbinger is director-writer-editor-composer-producer Andy Mitton’s best film yet.

Coraline is the visually magical film that started it all for Laika back in 2009, and it’s safe to say director Henry Selick’s delectably sinister animated marvel hasn’t lost an ounce of its charm.

Of all of the Laika films that the studio has released since 2009’s Coraline, I think ParaNorman has aged the best.