Eternal beauty comes with a price – Vincent Price – in the House of Wax, a timeless gothic 3-D horror masterpiece celebrating its 70th anniversary

Anyone walking into Evil Dead Rises should hopefully know what they’re getting themselves into.

Cage’s Wagnerian theatricality as Dracula is enough to warrant the ticket price all by itself. Watching him sink his teeth into Renfield with such malevolent relish is a deliciously debauched feast worth gorging on.

Ghostface’s assault on the Big Apple is a good one. Scream VI shows there’s still life in this series, and now that a new generation has been given control of the story, I’m curious to see where things go next.

The only emotional response this Children of the Corn scares up is boredom.

The Park is an unexpected gem.

If nothing else, Cocaine Bear does not try to sell itself as something it is not. There is a bear. It is addicted to cocaine. It proceeds to kill several people. Gory, whacked-out weirdness transpires over an economical 95 minutes.

Mexican import Huesera: The Bone Woman is not for the faint of heart.

For every positive stride Shyamalan takes toward LGBTQ representation in Hollywood, there are almost as many going upsettingly backward, and I’m starting to think Knock at the Cabin was one cinematic rap on the door I should have left unanswered.