Madam Web comes tantalizingly close to being an unintentional parody of the superhero genre, and that happy accident almost makes watching the resulting mess worthwhile.

While maybe the most inconsequential film Marvel has put out into the world (not including a post-credit teaser that is crowd-pleasingly awesome and a little desperate feeling, both at the same time), The Marvels is also one of the fastest paced and most humorously beguiling.

Spider-Man: Across the Spider-Verse is an instant classic.

Ant-Man’s return is notable for the villain and not a lot more, meaning this sequel shrinks into the back of the memory rather quickly, disappearing into the multiversal content void almost as if it never existed in the first place.

Coogler aims high with Black Panther: Wakanda Forever, and when the director hits his target, it’s right in the absolute center of the bull’s-eye. But the misses add up.

Thor: Love and Thunder is my least favorite film in the MCU.

It doesn’t happen immediately, but when it matters most, Raimi unleashes all of the crazy, comedically vaudevillian, blood-soaked, visually audacious tricks fans expect from him, and Doctor Strange in the Multiverse of Madness comes alive like no other MCU entry in recent memory.

Morbius isn’t a bad movie. It also isn’t a particularly memorable one.

The last third of Spider-Man: No Way Home is excellent. There is some wonderful closure for a few characters who never got any in their previous appearances, while this version of Peter Parker gets some agency largely disconnected from the rest of Earth’s mightiest heroes.