Christmas Bloody Christmas is a gruesome slice of holiday cruelty that knows exactly what it is and doesn’t try to be anything else, and that’s exactly as it should be.

Strange World is a gloriously weird adventure that’s like the ungainly love child of a Dr. Seuss storybook melded with Fantastic Voyage that revels in the goofy cosmic sensibilities of a random episode of the classic 1960s television series Lost in Space.

Coogler aims high with Black Panther: Wakanda Forever, and when the director hits his target, it’s right in the absolute center of the bull’s-eye. But the misses add up.

“I think that one of the biggest things that I wanted to bring in with this film was a mix of lowbrow and highbrow that we don’t see a lot now.”
– Rebekah McKendry

As gruesomely hysterical as much of Glorious may be, the foundation of toxic masculinity it’s built upon is anything but silly, McKendry giving it the brutally grisly evisceration it deserves.

Three Thousand Years of Longing is the story of life, and as frustrating and maddening as that can be, it’s also quite beautiful: the continual hope for a better tomorrow is a wish worth making, no matter what the risks.

Adventures in Babysitting and RoboCop: Searching for humanity, self-acceptance, and identity while singing the blues with the babysitter and enforcing the law in a cybernetic shell

Prey is going to go down as one of 2022’s most entertaining motion pictures.

Edge of Tomorrow has held up magnificently over the past eight years. If anything, it’s only gotten better.