“I think that one of the biggest things that I wanted to bring in with this film was a mix of lowbrow and highbrow that we don’t see a lot now.”
– Rebekah McKendry
As gruesomely hysterical as much of Glorious may be, the foundation of toxic masculinity it’s built upon is anything but silly, McKendry giving it the brutally grisly evisceration it deserves.
Three Thousand Years of Longing is the story of life, and as frustrating and maddening as that can be, it’s also quite beautiful: the continual hope for a better tomorrow is a wish worth making, no matter what the risks.
Adventures in Babysitting and RoboCop: Searching for humanity, self-acceptance, and identity while singing the blues with the babysitter and enforcing the law in a cybernetic shell
Prey is going to go down as one of 2022’s most entertaining motion pictures.
Edge of Tomorrow has held up magnificently over the past eight years. If anything, it’s only gotten better.
“A Buzz story would allow me to do a sci-fi movie in the tone that I was interested in. It would be different than a Toy Story. It would be more of a straightforward, hard sci-fi movie punctuated with character and comedy.”
– Angus MacLane
Spiderhead is a great Twilight Zone or Black Mirror scenario, only one that offers up a terrific idea, asks several fascinating questions, and then frustratingly doesn’t know how to reach a satisfying resolution.
Lightyear is nonsense, but it is frequently enthralling nonsense.