Ron’s Gone Wrong’s points are seldom made with any certainty, and everything builds to a strange conclusion that comes perilously close to being the literal definition of “mixed messaging.”
It’s dumb. It’s loud. It barely makes a lick of sense. But unlike its predecessor, Venom: Let There Be Carnage is also a heck of a lot of fun.
While I’m no gamer, Free Guy is one breezily intoxicating expedition into the unknown I wish I could pick up a controller and play for myself, and that’s a compliment.
“One of the great things about film, and storytelling in general, is that everything is relevant.”
– Wyatt Rockefeller
A quiet, introspectively sparse sci-fi thriller, Settlers makes a lasting impression.
The Tomorrow War is as forgettable as it is disappointing.
Something of an interstellar Lord of the Flies, after a somewhat rushed and lumpy start Neil Burger’s science fiction thriller Voyagers rights the ship and ends up traveling to an emotionally satisfying place.
Gareth Edwards’ Godzilla hasn’t looked this incredible since it played in theaters.
Cosmic Sin never comes together, drifting in space like a misbegotten artifact of a bygone filmmaking era its makers seem to be going purposefully out of their way to emulate as poorly as they possibly can.