Edge of Tomorrow has held up magnificently over the past eight years. If anything, it’s only gotten better.

“A Buzz story would allow me to do a sci-fi movie in the tone that I was interested in. It would be different than a Toy Story. It would be more of a straightforward, hard sci-fi movie punctuated with character and comedy.”
– Angus MacLane

Spiderhead is a great Twilight Zone or Black Mirror scenario, only one that offers up a terrific idea, asks several fascinating questions, and then frustratingly doesn’t know how to reach a satisfying resolution.

Lightyear is nonsense, but it is frequently enthralling nonsense.

Jurassic World Dominion is dumb without the fun, and that just makes me sad.

Crimes of the Future is a futuristically retro slice of body horror that left me speechless. It is a twisted descent into madness, refusing to coddle its audience or offer up a single happy ending. I wouldn’t have had it any other way.

Jack Palance and Martin Landau gleefully ham it up, and there’s a nifty plot twist at roughly the two-thirds mark that’s moderately surprising, but otherwise Without Warning is one of those low-budget 1980s oddities that never fully delivers on its promise.

Morbius isn’t a bad movie. It also isn’t a particularly memorable one.

Instead of taking the easy way out, the aftereffects of tragedy and loss are allowed to linger in ways atypical for genre fair like this, granting The Adam Project an extra layer of empathetic hopefulness that’s lovely.