As heists go, the only thing 1992 stole was just over 90 minutes of my time.

For all the slit throats, close calls, electric shocks, and broken bones, Duchess fires too many blanks to be of any consequence.

Deadpool & Wolverine is critic-proof.

Much like a destructive storm that blows itself out with nary a discernible rhyme or reason, all Twisters left in its wake was a metaphorical mess that left me sadly despondent.

As B-grade WWII adventure throwbacks to the 1950s and ‘60s are concerned, Murder Company is firing far too many blanks, making this a lackluster mission difficult to get enthused about.

Clint Eastwood and Jeff Bridges collaborate on a quirky homoerotic heist thriller that’s defiantly stood the test of time

Warner’s 4K presentation is immaculate, and the bountiful bonus features makes this one of the best — if not the best — physical media releases of the entire Monsterverse up to this point. For fans, this disc comes highly recommended.

Bad Boys: Ride or Die comes across as more of an overblown mid-1990s action flick than even the original 1995 hit that spawned this now four-film franchise does.

But that instantaneous feeling of giddy euphoria? That hasn’t happened since The Road Warrior. Hasn’t happened, that is, until now. Until after watching Furiosa: A Mad Max Saga.