Relic (2020)

by Sara Michelle Fetters - July 10th, 2020 - Movie Reviews

Relic is a singularly magnetic motion picture that burrows under the skin leaving a lasting scar, the hushed uncertainty of the devastation left behind in its wake impossible to forget.

Relic is a singularly magnetic motion picture that burrows under the skin leaving a lasting scar, the hushed uncertainty of the devastation left behind in its wake impossible to forget.

Homewrecker (2019)

by Sara Michelle Fetters - July 9th, 2020 - Movie Reviews

Homewrecker is one heck of an entertaining foray into psychologic discombobulation, everything building to a shockingly gruesome climax I honestly didn’t see coming.

Homewrecker is one heck of an entertaining foray into psychologic discombobulation, everything building to a shockingly gruesome climax I honestly didn’t see coming.

The Outpost (2020)

by Sara Michelle Fetters - July 3rd, 2020 - Movie Reviews

The Outpost wrecked me, and when it was over I was so exhausted and had gone through so many tissues I needed to slap a little water in my face to regain my composure.

The Outpost wrecked me, and when it was over I was so exhausted and had gone through so many tissues I needed to slap a little water in my face to regain my composure.

“The Outpost” – Interview with Rod Lurie

by Sara Michelle Fetters - July 2nd, 2020 - Interviews

“This story was about regular dudes. Guys who are not necessarily career military…I thought that was very interesting. I’m making a movie about people you don’t make movies about. That’s exciting.”
– Rod Lurie

“This story was about regular dudes. Guys who are not necessarily career military…I thought that was very interesting. I’m making a movie about people you don’t make movies about. That’s exciting.”
– Rod Lurie

Beats (2019)

by Sara Michelle Fetters - June 26th, 2020 - Movie Reviews

Beats is more than a visual or musical showcase, it’s a character-driven one as well, the events of this crazy night back in 1994 not nearly as divorced from today’s protest-charged reality as casual viewers might initially surmise.

Beats is more than a visual or musical showcase, it’s a character-driven one as well, the events of this crazy night back in 1994 not nearly as divorced from today’s protest-charged reality as casual viewers might initially surmise.

Irresistible (2020)

by Sara Michelle Fetters - June 26th, 2020 - Movie Reviews

Yet it is just as equally misguided, and for all its good intentions, star power and expert cinematic craftsmanship, Irresistible is a milquetoast political satire I refuse to endorse.

Yet it is just as equally misguided, and for all its good intentions, star power and expert cinematic craftsmanship, Irresistible is a milquetoast political satire I refuse to endorse.

Sometimes Always Never (2018)

by Sara Michelle Fetters - June 26th, 2020 - Movie Reviews

Sometimes Always Never becomes stealthily unforgettable, this peculiar story an intimately human tale of family (and Scrabble!) that plays itself out like a winsome daydream tenderly coupled in the arms of a long-lost love.

Sometimes Always Never becomes stealthily unforgettable, this peculiar story an intimately human tale of family (and Scrabble!) that plays itself out like a winsome daydream tenderly coupled in the arms of a long-lost love.

Infamous (2020)

by Sara Michelle Fetters - June 12th, 2020 - Movie Reviews

Infamous a mediocre movie that deserves to fade into oblivion as if it never existed in the first place, the fewer followers it ends up having the more likely that outcome is going to be.

Infamous a mediocre movie that deserves to fade into oblivion as if it never existed in the first place, the fewer followers it ends up having the more likely that outcome is going to be.

The King of Staten Island (2020)

by Sara Michelle Fetters - June 12th, 2020 - Movie Reviews

While an ambitious enterprise with royal aspirations to greatness, The King of Staten Island never earned its crown, and as such my fidelity to its ruling authority is practically nonexistent.

While an ambitious enterprise with royal aspirations to greatness, The King of Staten Island never earned its crown, and as such my fidelity to its ruling authority is practically nonexistent.

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