“V/H/S” – Interview with Ti West

by Sara Michelle Fetters - October 3rd, 2012 - Film Festivals Interviews

“I have made six horror movies in seven years. Pretty soon it’s going to start to feel repetitive. But it’s a great genre to experiment in as a filmmaker. You can pretty much do anything. That sense of freedom is inspirational.”
– Ti West

“I have made six horror movies in seven years. Pretty soon it’s going to start to feel repetitive. But it’s a great genre to experiment in as a filmmaker. You can pretty much do anything. That sense of freedom is inspirational.”
– Ti West

House at the End of the Street (2012)

by Sara Michelle Fetters - September 21st, 2012 - Movie Reviews

Early on House at the End of the Street had me intrigued. By the midsection I was completely captivated by it. But by the end? By that point I was ready to throw things at the screen and howl my disapproval at how wildly off the rails this Hitchcockian enterprise in suspense and terror had suddenly become.

Early on House at the End of the Street had me intrigued. By the midsection I was completely captivated by it. But by the end? By that point I was ready to throw things at the screen and howl my disapproval at how wildly off the rails this Hitchcockian enterprise in suspense and terror had suddenly become.

The Apparition (2012)

by Sara Michelle Fetters - August 24th, 2012 - Movie Reviews

The Apparition is a tediously uninspired ghostly mess, and in the cold light of day the wonder isn’t why it took so long for Warner Bros to put it into general release, but instead why they felt the need to do so at all.

The Apparition is a tediously uninspired ghostly mess, and in the cold light of day the wonder isn’t why it took so long for Warner Bros to put it into general release, but instead why they felt the need to do so at all.

Compliance (2012)

by Sara Michelle Fetters - August 17th, 2012 - Movie Reviews

It’s bravura filmmaking, and without question Compliance is one of the finest features I’ll likely see in all of 2012.

It’s bravura filmmaking, and without question Compliance is one of the finest features I’ll likely see in all of 2012.

ParaNorman (2012)

by Sara Michelle Fetters - August 17th, 2012 - Movie Reviews

Spirited ParaNorman a Ghoulish Delight In the town of Blithe Hollow, 11-year-old Norman Babcock (voiced by Kodi Smit-McPhee) has a gift. Not that it’s one his parents Sandra (Leslie Mann) and Perry (Jeff Garlin) approve of, or something that is teenage sister Courtney (Anna Kendrick) finds remotely cool. Only the overly enthusiastic Neil (Tucker Albrizzi) […]

Spirited ParaNorman a Ghoulish Delight In the town of Blithe Hollow, 11-year-old Norman Babcock (voiced by Kodi Smit-McPhee) has a gift. Not that it’s one his parents Sandra (Leslie Mann) and Perry (Jeff Garlin) approve of, or something that is teenage sister Courtney (Anna Kendrick) finds remotely cool. Only the overly enthusiastic Neil (Tucker Albrizzi) […]

Abraham Lincoln: Vampire Hunter (2012)

by Sara Michelle Fetters - June 22nd, 2012 - Movie Reviews

I don’t have a lot that’s positive to say about Abraham Lincoln: Vampire Hunter.

I don’t have a lot that’s positive to say about Abraham Lincoln: Vampire Hunter.

Prometheus (2012)

by Sara Michelle Fetters - June 8th, 2012 - Movie Reviews

Who are we? Where do we come from? Where do we go from here? Are we alone in the universe? These are just a few of the questions Prometheus asks, the end product not so much reaching for answers as it is more interested in reigniting the cooling embers of an age-old debate.

Who are we? Where do we come from? Where do we go from here? Are we alone in the universe? These are just a few of the questions Prometheus asks, the end product not so much reaching for answers as it is more interested in reigniting the cooling embers of an age-old debate.

Dark Shadows (2012)

by Sara Michelle Fetters - May 11th, 2012 - Movie Reviews

His Dark Shadows is an odd duck, never really finding solid footing yet still offering up plenty of laughs, some of them the biggest the director has crafted since Beetlejuice. It goes to some highly intriguing places and isn’t afraid to slow dance across a blood-red floor.

His Dark Shadows is an odd duck, never really finding solid footing yet still offering up plenty of laughs, some of them the biggest the director has crafted since Beetlejuice. It goes to some highly intriguing places and isn’t afraid to slow dance across a blood-red floor.

The Raven (2012)

by Sara Michelle Fetters - April 27th, 2012 - Movie Reviews

McTeigue’s thriller is a massive missed opportunity, The Raven leaving my tell-tale-heart wanting and to the idea of ever watching it again in the future I can boil my feelings down to a single word: Nevermore.

McTeigue’s thriller is a massive missed opportunity, The Raven leaving my tell-tale-heart wanting and to the idea of ever watching it again in the future I can boil my feelings down to a single word: Nevermore.

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