Alien: Covenant (2017)

by Sara Michelle Fetters - May 17th, 2017 - Movie Reviews

Even if some of the horror beats are all too familiar, that doesn’t make the overarching narrative any less fascinating, Alien: Covenant continuing to prove that big things can indeed be born of small beginnings, and I for one am decidedly curious to discover where this story is going to go next.

Even if some of the horror beats are all too familiar, that doesn’t make the overarching narrative any less fascinating, Alien: Covenant continuing to prove that big things can indeed be born of small beginnings, and I for one am decidedly curious to discover where this story is going to go next.

Life (2017)

by Sara Michelle Fetters - March 24th, 2017 - Movie Reviews

This screenplay is shockingly dumb, there’s just no other way to put it, Life more akin to a low budget ‘80s Roger Corman schlock sci-fi knockoff than it comes close to resembling a Ridley Scott or John Carpenter genre classic.

This screenplay is shockingly dumb, there’s just no other way to put it, Life more akin to a low budget ‘80s Roger Corman schlock sci-fi knockoff than it comes close to resembling a Ridley Scott or John Carpenter genre classic.

Underworld: Blood Wars (2017)

by Sara Michelle Fetters - January 8th, 2017 - Movie Reviews

I got a kick out of Underworld: Blood Wars. It’s a step up from the last entry in a lot of major ways, Foerster showcasing solid directorial chops that helps give this fifth chapter an added infusion of energy and excitement I wasn’t anticipating…If there is a final chapter, I’ll be there to see it opening night, happily paying for a ticket alongside other fans eager to see how Selene’s story comes to its end.

I got a kick out of Underworld: Blood Wars. It’s a step up from the last entry in a lot of major ways, Foerster showcasing solid directorial chops that helps give this fifth chapter an added infusion of energy and excitement I wasn’t anticipating…If there is a final chapter, I’ll be there to see it opening night, happily paying for a ticket alongside other fans eager to see how Selene’s story comes to its end.

Morgan (2016)

by Sara Michelle Fetters - September 2nd, 2016 - Movie Reviews

Morgan has its moments, just not enough of them to make up for its ample shortcomings, all of which results in a thriller that doesn’t thrill and a mystery few are going to care to learn the resolution of.

Morgan has its moments, just not enough of them to make up for its ample shortcomings, all of which results in a thriller that doesn’t thrill and a mystery few are going to care to learn the resolution of.

The Purge: Election Year (2016)

by Sara Michelle Fetters - July 1st, 2016 - Movie Reviews

While I can’t say I was as energized by The Purge: Election Year as much as I was the two stories that came before it, I’m still fairly enthused by what it is DeMonaco is doing here, this third chapter in the saga a politically astute meat grinder that’s worthy of a look.

While I can’t say I was as energized by The Purge: Election Year as much as I was the two stories that came before it, I’m still fairly enthused by what it is DeMonaco is doing here, this third chapter in the saga a politically astute meat grinder that’s worthy of a look.

The Conjuring 2 (2016)

by Sara Michelle Fetters - June 10th, 2016 - Movie Reviews

The Conjuring 2 could be better, there’s no denying that. It’s too long and gets too frenzied as it reaches its climax, never digging as deeply under the skin as the first film did. But Wan knows what he is doing, and more often than not this sequel offers up enough in the way of thrills and chills to satisfy.

The Conjuring 2 could be better, there’s no denying that. It’s too long and gets too frenzied as it reaches its climax, never digging as deeply under the skin as the first film did. But Wan knows what he is doing, and more often than not this sequel offers up enough in the way of thrills and chills to satisfy.

Krampus (2015)

by Sara Michelle Fetters - December 4th, 2015 - Movie Reviews

Krampus is a naughty little movie, and I mean that in a good way, and once again Dougherty proves himself to be crafty genre-bending filmmaker willing to make old school high-concept thrillers the likes of which studios are now reticent to put into production. As Christmas miracles for horror fans go, this is one stocking stuffer certain to be enjoyed for many years to come.

Krampus is a naughty little movie, and I mean that in a good way, and once again Dougherty proves himself to be crafty genre-bending filmmaker willing to make old school high-concept thrillers the likes of which studios are now reticent to put into production. As Christmas miracles for horror fans go, this is one stocking stuffer certain to be enjoyed for many years to come.

Food of the Gods (1976) / Frogs (1972)

by Sara Michelle Fetters - June 16th, 2015 - Blu-ray and DVD

Again, much like the Empire of the Ants / Jaws of Satan Blu-ray released the same day, neither Food of the Gods or Frogs are very good films. Same time, they make for a much better – and far more enjoyable – double feature, both having just enough charm for genre fans to want to give them a look. Scream! Factory’s presentation is surprisingly strong, while the included extras are excellent.

Again, much like the Empire of the Ants / Jaws of Satan Blu-ray released the same day, neither Food of the Gods or Frogs are very good films. Same time, they make for a much better – and far more enjoyable – double feature, both having just enough charm for genre fans to want to give them a look. Scream! Factory’s presentation is surprisingly strong, while the included extras are excellent.

Empire of the Ants (1977) / Jaws of Satan (1981)

by Sara Michelle Fetters - June 16th, 2015 - Blu-ray and DVD

But the joy and the fun found inside of Empire of the Ants is undeniable, the unabashed whacked-out silliness of it all making it one of director Bert I. Gordon’s “better” (and I use that word loosely) cinematic achievements.

But the joy and the fun found inside of Empire of the Ants is undeniable, the unabashed whacked-out silliness of it all making it one of director Bert I. Gordon’s “better” (and I use that word loosely) cinematic achievements.

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