A Quiet Place: Part One isn’t only a fantastic prequel, it’s just plain great all on its own outside of the two wonderful A Quiet Place films that preceded it.

I still don’t think Joker: Folie à Deux works. But because of its ambition, and in large part because it gave me something I felt was worth the time and effort to think about after I left the theater, I’m willing to give Phillips and his creative team props for shaking things up.

The V/H/S series happily shows no sign of slowing down, and V/H/S/Beyond is as thrilling an entry as any that has come before it.

Directors Karrie Crouse and William Joines have constructed a bleakly sparse Western where true horror is found in the emptiness of living one’s day-to-day life on the isolated extremes.

Amber Alert may run out of gas before the finish line, but that doesn’t mean it isn’t still worth climbing into the passenger seat and going along for the ride.

The filmmakers give birth to a new nightmare, one overflowing in possibilities and, it should be noted, several purposefully unanswered questions. Azrael is a blood-soaked blast.

“There’s something magical about watching [Sweetheart Deal] in a theater, surrounded by people who are fully engaged with the story — it’s a communal experience that amplifies the emotional impact of the film in a way that’s hard to replicate elsewhere.”
– Director Elisa Levine

Nicolas Ray’s queer-coded 1954 revisionist Western Johnny Guitar remains gloriously — and subversively — ahead of its time

Surprisingly funny and centered on a wonderful performance from Glowicki, Dauterman proves to be an inventive filmmaker with plenty of original ideas.