Is Despicable Me 4 great? No. Not at all. But I did laugh. More importantly, so did all the children. Sometimes that’s enough. This is one of those “sometimes.”

There are hard truths in Daddio to be pondered, discussed, and learned from during this moonlight drive from the airport, and all of them are worth hearing.

A single act of kindness. A monetary instance of compassion. That’s all it takes to help someone in their darkest hour. Heck, it may even be enough to save the world.

Clint Eastwood and Jeff Bridges collaborate on a quirky homoerotic heist thriller that’s defiantly stood the test of time

Ghostlight is a variation on William Shakespeare’s Romeo and Juliet the likes of which I’ve never seen.

Inside Out 2 grows with Riley, and by doing so, it shows its audience a spiritual mirror that reflects their own self-image. It’s worth peering into. It’s even more difficult to forget.

Warner’s 4K presentation is immaculate, and the bountiful bonus features makes this one of the best — if not the best — physical media releases of the entire Monsterverse up to this point. For fans, this disc comes highly recommended.

Bad Boys: Ride or Die comes across as more of an overblown mid-1990s action flick than even the original 1995 hit that spawned this now four-film franchise does.

There are no cheap jump scares. No sudden outbursts of chaos or gore. Violence is (mostly) of the psychological variety and, more to the point, almost always self-inflicted.