I was smiling broadly as I exited the theater, and while I can’t type nearly as fast as Rose, the giddy gusto I attacked my keyboard with in order to write up this review afterwards was still pretty furious. Better, I didn’t break a single nail while doing it. C’est magnifique!

Villeneuve has managed to construct a puzzle box thriller that remembers the human element is more essential than a few slights of hand and a handful of cheap thrills. It builds its emotions from a core, lived-in reality that’s pulsing with nerve-wracking effervescence, making Prisoners (2013) an impactful tour de force sure to be remembered fondly for many years to come.

Howard and Morgan have made a movie whose engine roars to life with astonishing ferocity, Rush a full-bore entertainment of living life on the edge and the adrenaline high that comes from doing it that deserves to be one of 2013’s biggest hits.

Salinger simply does not work, and as the subject of this mess appreciated brevity I’m going to leave things there and call it a night.

A Single Shot doesn’t raise the bar, doesn’t change the game, but it does hit the mark, the film speaking with a pensive and knowing precision well worth commending.

And While We Were Here comes across like a well-intentioned missed opportunity, and while writer/director Coiro has earned a place on my radar she’s going to have to craft something better than this next time out if she’s going to stay there.

Even though it fires a couple of blanks, The Family hits its targets far more often than it misses them, the overwhelming firepower that De Niro, Pfeiffer, Jones and Besson bring to the table undeniably impressive.

Insidious Story Continues Down a Familiar Path Josh Lambert (Patrick Wilson) has saved his son. Journeying into the realm between life and death, he has reunited eldest Dalton (Ty Simpkins) with his soul, saving him from a demonic presence that wanted to use the child as a vessel to return to the land of the […]

Touchy Feely is as far removed from Your Sister’s Sister and Humpday as you can get, the whimsical, freewheeling nature of the narrative both absurdist yet surprisingly tetchy. But its eccentricities are remarkably concrete, while the ephemeral nature of the idea itself is grounded in a real world familial aesthetic that’s easy to relate to.