Emergency rages against the status quo with fiery imagination and shrewdly perceptive resolve, it’s screeching tires of revolution a clarion call of societal change viewers should take the time to listen to.

I’m as shocked as anyone by just how much I adored Downtown Abbey: A New Era.

Maybe Firestarter is unadaptable?

The Sadness is one of the more aggressively bleak, disturbing, and depraved horror films I’ve ever seen. While I know that sounds like hyperbole, trust me when I say it is not.

It doesn’t happen immediately, but when it matters most, Raimi unleashes all of the crazy, comedically vaudevillian, blood-soaked, visually audacious tricks fans expect from him, and Doctor Strange in the Multiverse of Madness comes alive like no other MCU entry in recent memory.

The Bad Guys is an awful lot of fun.

A sensory triumph more than it is an emotional one, The Northman is nonetheless an enthralling endeavor, everything building to a crushing finale of senseless masculine bravado that’s as gut-wrenchingly beautiful as it is tragically heartbreaking.

Cage knocks it out of the park, making The Unbearable Weight of Massive Talent a triumphant culmination of a career that’s hopefully far from over.

Gustavo Hernández’s latest shocker Virus: 32 is an effectively unsettling slice of bloody run-and-hide zombie horror that had me squirming in my seat.