Far from an easy film, working in moral grey areas so noxious breathing in their fumes for too long is dangerous to one’s health, Sicario: Day of the Soldado is rough going, and as impressive as it might be I’m equally not altogether sure I enjoyed watching this story play itself out to its ethically ambiguous conclusion.

While some jokes can go a little far, and while not nearly the slam dunk I’m sure many fans were hoping for, a soft jumper off the glass making a delicate “swish” sound still scores two points, and in this case that’s more than enough for Uncle Drew to win this particular comedy game.

The Catcher Was a Spy is an imperfect examination of a curiously complicated figure in American history, and even if many viewers will feel compelled to do additional research into Berg after watching (or, at the very least, pick up a copy of Dawidoff’s book) that doesn’t mean the film itself still isn’t worth taking the time to see.

With Hearts Beat Loud, Haley has composed a universally accessible human drama of music, romance and family that brought tears to my eyes while at the same time had me wanting to leap out of my seat in order to give it a hearty cheer.

The director is at his best, though, when he allows all of the prehistoric beasties to chomp down on a variety of varying victims, and there were certainly times I wondered what might have been had Bayona made a straightforward dino-themed horror flick instead of another installment in the Jurassic Park universe.

A naturalistic marvel of restraint, The Rider is a cinematic triumph I’ll not soon forget.

What’s most annoying is just how much the film wastes such an extraordinary cast and an inherently funny premise and in the process does little to nothing memorable with either of them. It just doesn’t work, and in a year where smart, character-driven ensemble R-rated comedies have made something of a comeback, Tag is an unfunny game of tedious nonsense I personally think isn’t worth playing.

It’s impossible to watch Morgan Neville’s Fred Rogers documentary Won’t You Be My Neighbor? and not come away from the experience moved.

Ultimately, Incredibles 2 matters because Bird understands we as an audience are fond of Bob, Helen, Violet, Dash and Jack-Jack because they in turn love one another with selfless transparency. They’re the reason any of this has resonance, the reason we’ve been eagerly longing for a new adventure featuring each of them for over a decade.