I loved Top Gun: Maverick. This sequel hasn’t lost that loving feeling. It’s the best of the best, making this return flight to the danger zone a rapturous aerial extravaganza that frankly took my breath away.
Treasure of the Four Crowns is certifiably insane. It’s also spectacularly entertaining, reveling in its inherent madness so thoroughly that it’s impossible not to be impressed by all of the inventively deranged absurdity.
Jack Palance and Martin Landau gleefully ham it up, and there’s a nifty plot twist at roughly the two-thirds mark that’s moderately surprising, but otherwise Without Warning is one of those low-budget 1980s oddities that never fully delivers on its promise.
“It’s the film I hoped it would be. It’s sort of a wonderful escape for two hours from this wretched world we’re living in, and it makes you laugh and it makes you cry. What more can you ask?”
– Director Simon Curtis
Emergency rages against the status quo with fiery imagination and shrewdly perceptive resolve, it’s screeching tires of revolution a clarion call of societal change viewers should take the time to listen to.
I’m as shocked as anyone by just how much I adored Downtown Abbey: A New Era.
Singin’ in the Rain: Celebrating 70 years of saying, “Yes! Yes! Yes” to a timeless musical classic
Maybe Firestarter is unadaptable?
The Sadness is one of the more aggressively bleak, disturbing, and depraved horror films I’ve ever seen. While I know that sounds like hyperbole, trust me when I say it is not.