Lady Like (2024)

by Sara Michelle Fetters - January 3rd, 2025 - Movie Reviews

The underdog documentary Lady Like makes several interesting creative choices throughout its brief 87-minute running time.

The underdog documentary Lady Like makes several interesting creative choices throughout its brief 87-minute running time.

2024 Recap – Introduction

by Sara Michelle Fetters - January 1st, 2025 - Features

2024 Recap – I saw the cinema glow (and saw myself in the reflection)

2024 Recap – I saw the cinema glow (and saw myself in the reflection)

2024 Recap – Top 10

by Sara Michelle Fetters - January 1st, 2025 - Features

Top 10 Films of 2024

Top 10 Films of 2024

2024 Recap – Best of the Rest (Part One)

by Sara Michelle Fetters - January 1st, 2025 - Features

2024 Recap – Best of the Rest (Part One)

2024 Recap – Best of the Rest (Part One)

2024 Recap – Best of the Rest (Part Two)

by Sara Michelle Fetters - January 1st, 2025 - Features

2024 Recap – Best of the Rest (Part Two)

2024 Recap – Best of the Rest (Part Two)

2024 Recap – Odds & Ends

by Sara Michelle Fetters - January 1st, 2025 - Features

2024 Recap – Odds & Ends

2024 Recap – Odds & Ends

2024 Recap – Top 100 Films

by Sara Michelle Fetters - January 1st, 2025 - Features

The Top 100 Films of 2024

The Top 100 Films of 2024

Unforgettables: Cinematic Milestones #35 – Night of the Comet (1984)

by Sara Michelle Fetters - December 25th, 2024 - Features

Night of the Comet: Forty years later, the end of the world remains as satirically prescient as ever. Bitchin’, isn’t it?

Night of the Comet: Forty years later, the end of the world remains as satirically prescient as ever. Bitchin’, isn’t it?

Nosferatu (2024)

by Sara Michelle Fetters - December 24th, 2024 - Movie Reviews

Nosferatu left me feeling empty. It kept me at a frustrating distance, and even its tragic denouement of selfless sacrifice hit me as more perfunctory and preordained than authentically intimate.

Nosferatu left me feeling empty. It kept me at a frustrating distance, and even its tragic denouement of selfless sacrifice hit me as more perfunctory and preordained than authentically intimate.

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