Burton’s Frankenweenie a Monstrously Delightful Resurrection Frankenweenie isn’t so much an extended version of director Tim Burton’s famed 1984 short film of the same name as it is a reinvention of it. Taking the idea of the original (young boy loses his dog in a tragic accident only to bring him back to life Mary […]

Brooklyn Brothers Beat the Best spoke to me, casting a rhapsodic spell I didn’t want to see end.

While I’m sure younger kids might get a kick out of Hotel Transylvania, I can’t suggest families check-in at a theatre for a 90-minute stay.

Pitch Perfect hits most of the right notes, and because of this ends up being as smoothly enjoyable as anything currently playing in theatres at this moment.

“Adolescence, first kisses, how we meet the love of our lives, it’s always interesting. Always. Remember that.”
– Stephen Chbosky

I’m not entirely sure I’ve felt more kinship with a motion picture in recent memory than I have with screenwriter and director Stephen Chbosky’s stunning adaption of his own 1999 novel The Perks of Being a Wallflower.

Radnor has crafted characters who live in the real world and not in some fantastical juvenile celluloid fabrication of it.

When Bachelorette gets things right, when it is running at full-speed barking out what’s on its mind and presenting its trio of heroines as the sympathetic complex human messes they are, the comedy soars to heights that had me sitting in the theatre holding back cheers.

“I like that the movie isn’t what people expect it to be. I like that it seems to creep up on people and that they find themselves connecting to it on an emotional level they hadn’t anticipated.”
– Katie Ann Naylon