As B-grade WWII adventure throwbacks to the 1950s and ‘60s are concerned, Murder Company is firing far too many blanks, making this a lackluster mission difficult to get enthused about.

There are hard truths in Daddio to be pondered, discussed, and learned from during this moonlight drive from the airport, and all of them are worth hearing.

A single act of kindness. A monetary instance of compassion. That’s all it takes to help someone in their darkest hour. Heck, it may even be enough to save the world.

Clint Eastwood and Jeff Bridges collaborate on a quirky homoerotic heist thriller that’s defiantly stood the test of time

Ghostlight is a variation on William Shakespeare’s Romeo and Juliet the likes of which I’ve never seen.

There are no cheap jump scares. No sudden outbursts of chaos or gore. Violence is (mostly) of the psychological variety and, more to the point, almost always self-inflicted.

Uneven Watchers Still Overflows in Supernatural Dread The Watchers, adapted from the novel by A.M. Shine, was written for the screen and directed by Ishana Night Shyamalan and produced by her The Sixth Sense, Signs, and Unbreakable filmmaker father M. Night Shyamalan. It’s the story of a young woman, artist Mina (Dakota Fanning), who finds […]

Trudy Ederle’s story needed to be told, and that it also happens to be this gosh darn triumphantly entertaining is a giant win for all of us.

Almodóvar’s cathartic melodrama of gender, sexuality, and family still strikes a universal chord after 25 years