Frozen II is a sequel that exists to tell its own individual story and not just ride on the Oscar-winning coattails of its predecessor, watching it a continual joy that filled my heart with glee.
Blinded by the Light is a musical celebration of life, family, friendship and love, the song it sings as memorably pure and as hauntingly electrifying as any of the ones Springsteen himself has written and performed throughout his illustrious career.
None of it mattered to me, and while I wanted to shrug my shoulders and whisper inaudibly, “Hakuna Matata,” as the end credits began their scrawl, the truth of the matter is that I felt no love for this The Lion King remake, it’s overall storytelling mediocrity a circle of never-ending disappointment I couldn’t wait to be finished with.
Wild Rose is a universally aspirational story of retaining one’s individuality in the face of societal roadblocks that prefer conformity and the status quo over anything unique, its songs of faith, family and friendship worth singling along with.
The last third of Yesterday is an ineffectual slog that wastes the talents of its stars, and as breezy, inoffensively enjoyable and as adorably light as so much of this was to suddenly hear it hit so many sour notes was undeniably disappointing, my emotions gently weeping the more I keep thinking about it.
Fletcher is channeling All That Jazz and Absolute Beginners but with a Hairspray meets Mamma Mia! high-gloss glittery shimmer, the grit and angst of the tortured artist juxtaposed against a Technicolor milieu that’s been art directed and costumed within an inch of its rockabilly heart.
While lacking in the same kind of ingenious magic that helped allow the original to stand the test of time, this new Aladdin still has a few winning tricks up its sleeve making it worthy of a look.
Centered around a superb performance from Fanning and featuring a number of superlative musical numbers (including bravura covers of “Dancing On My Own,” “Little Bird” and “Don’t Kill My Vibe”), Teen Spirit is a consistent joy first frame to last.
[As] pure entertainment, Gracey’s energetic effort succeeds in a way that goes well beyond anything I antic pated before entering the theatre, The Greatest Showman a three-ring phenomenon the entire family is almost certain to enjoy.