Cronenberg is a filmmaker willing to push boundaries and ask tough questions others don’t just shy away from, they sprint in the opposite direction in total fear. A History of Violence is no different.
I can’t say it is perfect, and not all of the questions it raises are answered, but the same can unquestionably be said about the man it chronicles, Grizzly Man the type of human adventure that makes going into the cinematic wilderness fascinatingly worthwhile.
House of Wax is cruelly juvenile in ways that worked for me, and as far as Dark Castle’s current run of bloody horror remakes are concerned, this might just be their best one yet.
Always an astonishing visual craftsman, House of Flying Daggers is as impressive as anything Yimou’s ever done. The shifting colors and landscapes flow in and out of one another like a dreamy netherworld, while the tiniest woodland sounds sparkle and hum with the majesty of a symphonic orchestra.
Bad Education is a brazen, ambisexual noir that embraces the conventions of the genre while at the same time shattering them with explicit wickedness.
The Incredibles is just that, well, incredible, and here’s hoping people go and see just that for themselves at their first opportunity to do so.
The Grudge works, and I’ve got the sweaty palms to prove it.
Resident Evil: Apocalypse is pretty awful, and if this ends up being game over for the budding franchise I wouldn’t be at all surprised.
Not altogether shocking, Alien vs. Predator is an unreviewable motion picture.