I don’t have a lot that’s positive to say about Abraham Lincoln: Vampire Hunter.
Brave is, in a word, beautiful, and I will just leave things at that.
While not without faults, this feminist take on the classic Grimm tale is undeniably bewitching, and of 2012’s dueling adaptations, both of which ended up worthy of my attention, Snow White and the Huntsman is the fairest of the duo and the one I look forward to revisiting in the future.
What is shocking is just how entertaining Men in Black 3 turns out to be, and even though as sequels go it’s highly unnecessary, that didn’t make the smile on my face after watching it invisible.
Battleship is pure cheese, and while that doesn’t make it good that also doesn’t make it a disaster, and while the proceedings are certainly waterlogged beyond repair that doesn’t mean the vessel itself is in danger of sinking.
All I can say is that I hope Whedon does return to the helm, because after this movie the thought of The Avengers assembling without his assertively assured guidance is something I have difficulty pondering.
Yet Yakin’s film embraces its own central lunacy. Better, Safe takes the time to craft a story that, within the confines of its idiotically over-the-top world, is both believable and character-driven.
Lockout isn’t even so bad it’s good, the final product an out of this world debacle that will undoubtedly go down as one of 2012’s worst motion pictures.
While the action choreography is impressive, emotionally I’m finding it difficult to care, The Raid: Redemption never quite connecting on anything more than a purely visceral level and nothing more.