Wuthering Heights (2011)

by Sara Michelle Fetters - October 5th, 2012 - Four-Star Corner Movie Reviews

From the vast landscapes to the creases lurking at the corner of a person’s smile, all of it matters, the internal intricacies of the human condition revealed in visual layers that continually caught me by surprise.

From the vast landscapes to the creases lurking at the corner of a person’s smile, all of it matters, the internal intricacies of the human condition revealed in visual layers that continually caught me by surprise.

Brooklyn Brothers Beat the Best (2011)

by Sara Michelle Fetters - September 28th, 2012 - Film Festivals Movie Reviews

Brooklyn Brothers Beat the Best spoke to me, casting a rhapsodic spell I didn’t want to see end.

Brooklyn Brothers Beat the Best spoke to me, casting a rhapsodic spell I didn’t want to see end.

Pitch Perfect (2012)

by Sara Michelle Fetters - September 28th, 2012 - Movie Reviews

Pitch Perfect hits most of the right notes, and because of this ends up being as smoothly enjoyable as anything currently playing in theatres at this moment.

Pitch Perfect hits most of the right notes, and because of this ends up being as smoothly enjoyable as anything currently playing in theatres at this moment.

Won’t Back Down (2012)

by Sara Michelle Fetters - September 28th, 2012 - Movie Reviews

There’s an important story lurking inside Won’t Back Down, but Barnz and Hill apparently weren’t the duo to tell it, the filmmakers failing their final exam so spectacularly they might as well have flunked right out of school.

There’s an important story lurking inside Won’t Back Down, but Barnz and Hill apparently weren’t the duo to tell it, the filmmakers failing their final exam so spectacularly they might as well have flunked right out of school.

“The Perks of Being a Wallflower” – Interview with Stephen Chbosky

by Sara Michelle Fetters - September 21st, 2012 - Interviews

“Adolescence, first kisses, how we meet the love of our lives, it’s always interesting. Always. Remember that.”
– Stephen Chbosky

“Adolescence, first kisses, how we meet the love of our lives, it’s always interesting. Always. Remember that.”
– Stephen Chbosky

The Perks of Being a Wallflower (2012)

by Sara Michelle Fetters - September 21st, 2012 - Four-Star Corner Movie Reviews

I’m not entirely sure I’ve felt more kinship with a motion picture in recent memory than I have with screenwriter and director Stephen Chbosky’s stunning adaption of his own 1999 novel The Perks of Being a Wallflower.

I’m not entirely sure I’ve felt more kinship with a motion picture in recent memory than I have with screenwriter and director Stephen Chbosky’s stunning adaption of his own 1999 novel The Perks of Being a Wallflower.

Trouble with the Curve (2012)

by Sara Michelle Fetters - September 21st, 2012 - Movie Reviews

I’m having a hard time trying to write a review of longtime Clint Eastwood producing partner Robert Lorenz’s directorial debut Trouble with the Curve.

I’m having a hard time trying to write a review of longtime Clint Eastwood producing partner Robert Lorenz’s directorial debut Trouble with the Curve.

Liberal Arts (2012)

by Sara Michelle Fetters - September 19th, 2012 - Film Festivals Movie Reviews

Radnor has crafted characters who live in the real world and not in some fantastical juvenile celluloid fabrication of it.

Radnor has crafted characters who live in the real world and not in some fantastical juvenile celluloid fabrication of it.

The Master (2012)

by Sara Michelle Fetters - September 19th, 2012 - Four-Star Corner Movie Reviews

Anderson’s Master an Enchanting Intellectual Banquet Paul Thomas Anderson’s The Master isn’t an easy sit. Its themes are all over the map, and what it’s talking about is purposefully vague. Most notably, it’s never a certainty whose story it is telling, three primary characters all competing for screen time with two of them sharing numerous […]

Anderson’s Master an Enchanting Intellectual Banquet Paul Thomas Anderson’s The Master isn’t an easy sit. Its themes are all over the map, and what it’s talking about is purposefully vague. Most notably, it’s never a certainty whose story it is telling, three primary characters all competing for screen time with two of them sharing numerous […]

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