Miller’s Girl (2024)

by Sara Michelle Fetters - January 26th, 2024 - Movie Reviews

Miller’s Girl frequently vacillates between being insightful and facile, many times within the same scene, and because of this, it’s incredibly difficult to generate anything more than an emotionally cursory involvement in what is going on.

Miller’s Girl frequently vacillates between being insightful and facile, many times within the same scene, and because of this, it’s incredibly difficult to generate anything more than an emotionally cursory involvement in what is going on.

“I.S.S.” – Interview with Ariana DeBose and Gabriela Cowperthwaite

by Sara Michelle Fetters - January 26th, 2024 - Features Interviews

Oscar winner Ariana DeBose and director Gabriela Cowperthwaite blur the lines between science fiction and science fact with the timely I.S.S.

Oscar winner Ariana DeBose and director Gabriela Cowperthwaite blur the lines between science fiction and science fact with the timely I.S.S.

Which Brings Me to You (2023)

by Sara Michelle Fetters - January 19th, 2024 - Movie Reviews

Which Brings Me to You isn’t worth watching before sunrise, and it certainly doesn’t warrant any attention before sunset, either.

Which Brings Me to You isn’t worth watching before sunrise, and it certainly doesn’t warrant any attention before sunset, either.

All of Us Strangers (2023)

by Sara Michelle Fetters - December 22nd, 2023 - Film Festivals Four-Star Corner Movie Reviews

All of Us Strangers is maybe 2023’s best film.

All of Us Strangers is maybe 2023’s best film.

Poor Things (2023)

by Sara Michelle Fetters - December 14th, 2023 - Movie Reviews

Bella’s liberation in Poor Things is the type of rapturous euphoria we can all learn from.

Bella’s liberation in Poor Things is the type of rapturous euphoria we can all learn from.

Napoleon (2023)

by Sara Michelle Fetters - November 22nd, 2023 - Movie Reviews

Napoleon is only a cracked shell of what Scott originally wanted to deliver, so that it does not fully work is hardly a surprise.

Napoleon is only a cracked shell of what Scott originally wanted to deliver, so that it does not fully work is hardly a surprise.

Saltburn (2023)

by Sara Michelle Fetters - November 17th, 2023 - Four-Star Corner Movie Reviews

Saltburn never plays it safe, and where Fennell takes things is guaranteed to anger a fair share of the viewing public.

Saltburn never plays it safe, and where Fennell takes things is guaranteed to anger a fair share of the viewing public.

Unforgettables: Cinematic Milestones #22 – The Red Shoes (1948)

by Sara Michelle Fetters - November 15th, 2023 - Features

On its 75th anniversary, the transformative wonders of The Red Shoes continue to dance its way into my heart

On its 75th anniversary, the transformative wonders of The Red Shoes continue to dance its way into my heart

Priscilla (2023)

by Sara Michelle Fetters - November 2nd, 2023 - Four-Star Corner Movie Reviews

Priscilla is a vibe. It’s a viscerally emotive whirlwind that sweeps around the viewer with hurricane-like intensity.

Priscilla is a vibe. It’s a viscerally emotive whirlwind that sweeps around the viewer with hurricane-like intensity.

 Prev 1 2 3 4 5 6 7 ... 43 44 Next