Much like its predecessor, The Accountant 2’s entertainment numbers add up, and thanks to Affleck and Bernthal’s captivating chemistry, the watchability return on investment is impressively significant.

The Wedding Banquet proudly walks down the aisle with confident grace and beauteous determination.

Sinners is one of 2025’s best films. More to the point, it’s one of the best I’m going to see this decade. Coogler has crafted something special.

The most annoying thing about The Amateur is how competent it is.

Love can be found and lasting connections can be made even in a world drowning in chaos and indecision. This is the song that The Ballad of Wallis Island triumphantly sings. It’s one worth playing on repeat.

Landon shows a playfully eclectic majesty where it comes to balancing suspense, horror, humor, and general human pathos and planting them inside a scenario that’s as silly as it is inspired. Because of this and more, Drop ends up being a massive amount of fun.

Millers in Marriage is a well-acted descent into the depressively mundane, and 117 minutes of one banal struggle after another was not my cup of tea.

A Working Man is a sleazy waste of time.

Though far from a dream come true, this Snow White isn’t without its enjoyable aspects. I watched it with a smile and a song, every bluddle-uddle-um-dum somehow injecting my heart with joy, often when I least expected.