V for Vendetta is a bold, unflinching portrait of a world viewers might not want to look at too closely. It is a place where the sights and sounds are so harsh and hard they make some cringe and weep for all they’ve suffered and lost.

I can’t help but think that the vibe Elizabethtown generates and the mood it creates are both only going to get better with time.

Good Night, and Good Luck. is the must-see event picture of the Fall. It is breathlessly exciting, reexamining with acute detail a moment in our nation’s history that should not, cannot, be forgotten.

Serenity is one of 2005’s most irresistible pleasures filled with strong performances, breathtaking action sequences, remarkably affecting emotional nuances and a collection of surprising twists and turns, Whedon crafting one of the most blissfully entertaining movies I’ve seen this year.

Cronenberg is a filmmaker willing to push boundaries and ask tough questions others don’t just shy away from, they sprint in the opposite direction in total fear. A History of Violence is no different.

I can’t say it is perfect, and not all of the questions it raises are answered, but the same can unquestionably be said about the man it chronicles, Grizzly Man the type of human adventure that makes going into the cinematic wilderness fascinatingly worthwhile.

Junebug is the type of movie you want to see twice in quick succession.

House of Wax is cruelly juvenile in ways that worked for me, and as far as Dark Castle’s current run of bloody horror remakes are concerned, this might just be their best one yet.

Always an astonishing visual craftsman, House of Flying Daggers is as impressive as anything Yimou’s ever done. The shifting colors and landscapes flow in and out of one another like a dreamy netherworld, while the tiniest woodland sounds sparkle and hum with the majesty of a symphonic orchestra.