Baby Driver might not live entirely up to the hype, but that doesn’t make it any less wonderful, Wright once again showing he’s a fearless genre-busting directorial wunderkind who’s creative gas tank overflows in originality.

Elliott nails every scene. It’s a superlative turn, and I’m hard-pressed to think of another actor who could have brought the same sort of lived-in gravitas to the role.

[If] there are any more entries like Transformers: The Last Knight than the end for this series can’t come quick enough, and maybe it would be for the best if Optimus Prime and his Autobots gave up on the human race and left us to destroy ourselves in relative peace and quiet.

The Book of Henry has issues, big ones, but subject matter I do not believe is one of them, the emotional richness flowing through these intergenerational familial revelations ones I continually responded to no matter how upsetting and uncomfortable the story itself might oftentimes be.

[Just] because Cars 3 is unlikely to win any awards or be remembered as one of the year’s great animated features doesn’t make it any less entertaining. Lightning’s return to the motor speedway is worthy of appreciation, the film’s eventual victory as unexpected as it is absolute.

It Comes At Night is anchored in a nihilistic fatalism that’s painfully catastrophic. It’s a downbeat eulogy to a story that’s been heading in that direction right from its opening image, those anticipating something different likely to walk away afterward scratching their head wondering what it was they just experienced.

If this is what Universal’s Dark Universe is going to be like, I can’t say I’m excited, and as a genre fanatic who adores the likes of The Wolf Man, Dracula, Frankenstein et al, that is about as depressing a sentence as any I’ll likely write this year.

[By] refusing to reveal Rachel’s role one way or the other as it pertains to Ambrose’s demise, there is a strong, deeply disquieting emotional component that is disturbingly effective. Michell does Du Maurier’s story proud, the My Cousin Rachel offering up a quietly tragic romantic melancholy I found impossible to resist.

Stoller and Soren do a fine job making this adventure in growing up entertaining for kid and adult alike, and while I can’t foresee Captain Underpants: The First Epic Adventure spawning any additional cinematic chapters in George and Harold’s heroic tale, if it sends viewers to the library and the bookstore to discover what happens next that’s perfectly fine by me.