Smile 2 made me angry.

Maybe it is appropriate that The Apprentice director Ali Abbasi has made something so perplexingly frustrating, yet still aggravatingly mesmerizing, out of the relationship between young New York real estate developer Donald Trump and firebrand lawyer Roy Cohn.

We Live in Time is undeniably a showcase for Garfield and Pugh’s seemingly unlimited talents. On that front, they, and by extension the film, do not disappoint.

Terrifier 3 is more of an audaciously repugnant test of endurance than it is anything else even moderately substantive. Interested parties already know who they are.

I still don’t think Joker: Folie à Deux works. But because of its ambition, and in large part because it gave me something I felt was worth the time and effort to think about after I left the theater, I’m willing to give Phillips and his creative team props for shaking things up.

The V/H/S series happily shows no sign of slowing down, and V/H/S/Beyond is as thrilling an entry as any that has come before it.

Directors Karrie Crouse and William Joines have constructed a bleakly sparse Western where true horror is found in the emptiness of living one’s day-to-day life on the isolated extremes.

Amber Alert may run out of gas before the finish line, but that doesn’t mean it isn’t still worth climbing into the passenger seat and going along for the ride.

The filmmakers give birth to a new nightmare, one overflowing in possibilities and, it should be noted, several purposefully unanswered questions. Azrael is a blood-soaked blast.