But it’s Deutch that has me most excited. She’s so phenomenal here that I’ll watch Flower multiple times just so I can dissect her performance in more exacting detail after each viewing.

Kaijus and Jaegers might be back fighting in Pacific Rim: Uprising, but that didn’t mean I felt anything sitting in the theatre watching them wrestle for supremacy, the end result a hopelessly dull battle royale that left me sadly dissatisfied.

Unsane is an emotional powder keg that only grows in strength as it goes along, the resultant explosion one I’m likely to still be feeling the aftereffects of for some time to come.

I just couldn’t connect emotionally to anything that was happening, and as marvelous as it all might look and sound, 7 Days in Entebbe ultimately proves to be a forgettable terrorism procedural I’d rather not have seen.

This coming of age story of friendship, family, sexuality and romance is a merry one, and while its insights might not be new, the fact they’re so matter-of-fact certainly is.

Roberts treats the material with intelligence and respect, allowing his actors the opportunity to craft flawed, deeply human characters who believably do everything they can to selflessly ensure their loved ones have a chance to survive the night. Make no mistake, The Strangers: Prey at Night got under my skin.

Tomb Raider is a total kick in the pants and I had a terrific time watching it.

A freewheeling crime and caper comedy of errors that gets more violently rambunctious as it goes along, Gringo is an elaborate shell game where it’s impossible to know which hat the walnut is under.

A Wrinkle in Time might not be as magnificent as L’Engle’s novel (and I can’t say I expected it to be), but even so DuVernay’s adaptation is still a spellbinding family-friendly adventure worth venturing out to see.