The Harbinger is director-writer-editor-composer-producer Andy Mitton’s best film yet.

Coraline is the visually magical film that started it all for Laika back in 2009, and it’s safe to say director Henry Selick’s delectably sinister animated marvel hasn’t lost an ounce of its charm.

Of all of the Laika films that the studio has released since 2009’s Coraline, I think ParaNorman has aged the best.

Christmas Bloody Christmas is a gruesome slice of holiday cruelty that knows exactly what it is and doesn’t try to be anything else, and that’s exactly as it should be.

The hero may die, but love still lasts forever, and that makes Spoiler Alert a timeless romantic melodrama worth swooning over.

Peking Express is a gorgeously shot oddity built on an unstable foundation.

Violent Night does exactly what it sets out to do, and does so with panache, frivolity, and style. It’s a blood-splattered act of resistance, and not since Billy Chapman went on his Silent Night, Deadly Night rampage has a Santa Claus crushed so many skulls as he removes names from his extensive “naughty” list.

Knives Out set an impossibly high bar. Glass Onion vaults over it with rhapsodic ease.

Strange World is a gloriously weird adventure that’s like the ungainly love child of a Dr. Seuss storybook melded with Fantastic Voyage that revels in the goofy cosmic sensibilities of a random episode of the classic 1960s television series Lost in Space.