
Suspiria (2018)
by Sara Michelle Fetters - November 1st, 2018 - Movie ReviewsGuadagnino doesn’t so much improve upon Argento’s original (which isn’t possible) so much as he makes his interpretation exist as its own, ingeniously idiosyncratic entity outside of the original source material. Watching it cast its bloody, violently unhinged spell is a thing of poetical majesty, ultimately making it a viewing experience I’m not soon to forget.
Guadagnino doesn’t so much improve upon Argento’s original (which isn’t possible) so much as he makes his interpretation exist as its own, ingeniously idiosyncratic entity outside of the original source material. Watching it cast its bloody, violently unhinged spell is a thing of poetical majesty, ultimately making it a viewing experience I’m not soon to forget.

Our House (2018)
by Sara Michelle Fetters - October 31st, 2018 - Blu-ray and DVDOur House might not go anyplace I found to be unexpected or original, but that does not mean it still didn’t get there with enough flair and creative energy to keep me entertained.
Our House might not go anyplace I found to be unexpected or original, but that does not mean it still didn’t get there with enough flair and creative energy to keep me entertained.

What They Had (2018)
by Sara Michelle Fetters - October 31st, 2018 - Movie ReviewsWhat They Had spoke to me with such astonishing clarity I almost couldn’t believe it.
What They Had spoke to me with such astonishing clarity I almost couldn’t believe it.

Mid90s (2018)
by Sara Michelle Fetters - October 27th, 2018 - Movie ReviewsFor all his obvious skill behind the camera, Hill’s debut left me too anxious, questioning and somewhat angry for me to be able to feel comfortable extolling any of its many virtues, and even if I reassess Mid90s at some point in the future I honestly don’t see my feelings changing anytime soon.
For all his obvious skill behind the camera, Hill’s debut left me too anxious, questioning and somewhat angry for me to be able to feel comfortable extolling any of its many virtues, and even if I reassess Mid90s at some point in the future I honestly don’t see my feelings changing anytime soon.

Don’t Go (2018)
by Sara Michelle Fetters - October 26th, 2018 - Movie ReviewsFor all its creative resourcefulness and artistic aspirations, Don’t Go just made me angry, and as I can’t go back into the past to erase this effort from my memory all I can do at this point is just warn everyone reading to not repeat my mistake.
For all its creative resourcefulness and artistic aspirations, Don’t Go just made me angry, and as I can’t go back into the past to erase this effort from my memory all I can do at this point is just warn everyone reading to not repeat my mistake.

The Happy Prince (2018)
by Sara Michelle Fetters - October 26th, 2018 - Movie ReviewsWhile it looks stunning, and while many of the performances are outstanding, The Happy Prince never engaged all of my emotions, all of which sadly makes it a Wilde biopic where the wit upstages the heart and the clever isn’t nearly shrewd enough to conceal its more noticeable shortcomings.
While it looks stunning, and while many of the performances are outstanding, The Happy Prince never engaged all of my emotions, all of which sadly makes it a Wilde biopic where the wit upstages the heart and the clever isn’t nearly shrewd enough to conceal its more noticeable shortcomings.

Johnny English Strikes Again (2018)
by Sara Michelle Fetters - October 26th, 2018 - Movie ReviewsI don’t dislike Johnny English Strikes Again. It’s perfectly harmless and I have nothing against Atkinson trotting this character back out for a third escapade. But much like its predecessors, I’m never going to watch it again.
I don’t dislike Johnny English Strikes Again. It’s perfectly harmless and I have nothing against Atkinson trotting this character back out for a third escapade. But much like its predecessors, I’m never going to watch it again.

Black ’47 (2018)
by Sara Michelle Fetters - October 19th, 2018 - Movie ReviewsBlack ’47 is a strong, blood-soaked thriller that builds to a crackerjack climax overrunning in violence and mayhem.
Black ’47 is a strong, blood-soaked thriller that builds to a crackerjack climax overrunning in violence and mayhem.

The Guilty (2018)
by Sara Michelle Fetters - October 19th, 2018 - Film Festivals Four-Star Corner Movie ReviewsThe Guilty asks tough questions about right and wrong that straddle the line between good and evil with heartrending clarity, and no matter how selflessly pure the act innocence and guilt still mix via an uneasy symbiotic relationship with neither attribute able to exist without the companionship of its polar opposite sibling.
The Guilty asks tough questions about right and wrong that straddle the line between good and evil with heartrending clarity, and no matter how selflessly pure the act innocence and guilt still mix via an uneasy symbiotic relationship with neither attribute able to exist without the companionship of its polar opposite sibling.