Turbo (2013)

by Sara Michelle Fetters - July 19th, 2013 - Movie Reviews

Turbo works, surprisingly so, its contest of brotherly love and understanding a warm-hearted race where those watching the spectacle end up being the biggest winners of them all.

Turbo works, surprisingly so, its contest of brotherly love and understanding a warm-hearted race where those watching the spectacle end up being the biggest winners of them all.

V/H/S 2 (2013)

by Sara Michelle Fetters - July 12th, 2013 - Film Festivals Movie Reviews

Less than 12 months later, producers/writers/directors Simon Barrett and Adam Wingard have managed to cajole another group of talented filmmakers to take their crack at the concept, and results are, to be perfectly frank, close to astonishing. V/H/S 2 doesn’t just improve upon the first film, doesn’t just take note of its missteps and mistakes, it quickly enters the pantheon as one of the great horror anthologies ever made.

Less than 12 months later, producers/writers/directors Simon Barrett and Adam Wingard have managed to cajole another group of talented filmmakers to take their crack at the concept, and results are, to be perfectly frank, close to astonishing. V/H/S 2 doesn’t just improve upon the first film, doesn’t just take note of its missteps and mistakes, it quickly enters the pantheon as one of the great horror anthologies ever made.

The Way Way Back (2013)

by Sara Michelle Fetters - July 12th, 2013 - Film Festivals Movie Reviews

The Way, Way Back proves a familiar story in the hands of great filmmakers confident in their abilities (as well as in the talented team they’ve assembled to assist them) can still be worthwhile. This movie is wonderful, nothing more, and certainly nothing less, the truths it revels in may not be new or revelatory but that doesn’t make them any less compelling or, for that matter, universal.

The Way, Way Back proves a familiar story in the hands of great filmmakers confident in their abilities (as well as in the talented team they’ve assembled to assist them) can still be worthwhile. This movie is wonderful, nothing more, and certainly nothing less, the truths it revels in may not be new or revelatory but that doesn’t make them any less compelling or, for that matter, universal.

Pacific Rim (2013)

by Sara Michelle Fetters - July 10th, 2013 - Movie Reviews

I do realize I’m waxing poetic about a movie revolving around monsters and robots duking it out for supremacy, on that point I don’t have a lot to say in rebuttal. The thing is, what do I have to rebut? The 8-year-old in me had a jolly great time watching [Pacific Rim], but then so did the thirty-something film critic.

I do realize I’m waxing poetic about a movie revolving around monsters and robots duking it out for supremacy, on that point I don’t have a lot to say in rebuttal. The thing is, what do I have to rebut? The 8-year-old in me had a jolly great time watching [Pacific Rim], but then so did the thirty-something film critic.

The Lone Ranger (2013)

by Sara Michelle Fetters - July 3rd, 2013 - Movie Reviews

Verbinksi and his team have taken this treasured, still-vibrant character and transformed both he and his compatriot into shells of what they could have been, this incarnation of The Lone Ranger so misbegotten it makes one long for the days of Klinton Spilsbury, and if you understand that reference than you fully comprehend just how gigantic a disaster this failed reinvention truly is.

Verbinksi and his team have taken this treasured, still-vibrant character and transformed both he and his compatriot into shells of what they could have been, this incarnation of The Lone Ranger so misbegotten it makes one long for the days of Klinton Spilsbury, and if you understand that reference than you fully comprehend just how gigantic a disaster this failed reinvention truly is.

20 Feet from Stardom (2013)

by Sara Michelle Fetters - June 28th, 2013 - Film Festivals Movie Reviews

20 Feet from Stardom has style, it has pizzazz and most of all its got power, it’s saga of singers at the cusp of success continually giving every ounce of themselves to make it happen for someone else a universal inspirational daydream in every way that matters.

20 Feet from Stardom has style, it has pizzazz and most of all its got power, it’s saga of singers at the cusp of success continually giving every ounce of themselves to make it happen for someone else a universal inspirational daydream in every way that matters.

100 Bloody Acres (2013)

by Sara Michelle Fetters - June 28th, 2013 - Film Festivals Movie Reviews

The brothers Cairnes stage their escalating series of unfortunate events with lackadaisical confidence, propelling things ever forward with jovial efficiency that’s as inventive as it is absurd. They spill a lot of blood, throwing guts and bits of flesh all over the place, doing it with a gorgeously energetic joy that’s continually impressive.

The brothers Cairnes stage their escalating series of unfortunate events with lackadaisical confidence, propelling things ever forward with jovial efficiency that’s as inventive as it is absurd. They spill a lot of blood, throwing guts and bits of flesh all over the place, doing it with a gorgeously energetic joy that’s continually impressive.

Berberian Sound Studio (2012)

by Sara Michelle Fetters - June 28th, 2013 - Film Festivals Movie Reviews

I’ve watched Berberian Sound Studio three times and I’m still not entirely certain I’ve got it all figured out. At this point, I’m fairly certain I’m not supposed to.

I’ve watched Berberian Sound Studio three times and I’m still not entirely certain I’ve got it all figured out. At this point, I’m fairly certain I’m not supposed to.

White House Down (2013)

by Sara Michelle Fetters - June 28th, 2013 - Movie Reviews

Emmerich knows how to stage action with the best of them, and in Tatum he has an action star willing to throw himself here and there with excitable ferocity. More, unlike Olympus Has Fallen for some reason this one ends up being a little easier to accept and take with at least a modicum of seriousness if only because the filmmakers refuse to treat their audience like imbeciles. White House Down isn’t exactly good, I’d never call it that, but it can be fun, and as such I can’t really begrudge anyone from making the choice to give this latest cinematic assault on the White House a chance.

Emmerich knows how to stage action with the best of them, and in Tatum he has an action star willing to throw himself here and there with excitable ferocity. More, unlike Olympus Has Fallen for some reason this one ends up being a little easier to accept and take with at least a modicum of seriousness if only because the filmmakers refuse to treat their audience like imbeciles. White House Down isn’t exactly good, I’d never call it that, but it can be fun, and as such I can’t really begrudge anyone from making the choice to give this latest cinematic assault on the White House a chance.

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