The Last Stand certainly doesn’t break any new ground, and it definitely doesn’t do a single thing that’s unexpected, but that doesn’t make it any less a rollicking good time. Say what you will about Schwarzenegger but the man does know how to make a fun action movie when he sets his mind to it, and for all its faults his teaming up with Jee-woon has produced a very entertaining one indeed.
The filmmakers aren’t afraid of the material, don’t feel the need to coddle their audience or deliver comforting emotional platitudes. They take things to their ultimate breaking point, going with an otherworldly finale that’s one part Tim Burton and two parts Guillermo del Toro.
Poorly paced, lazily edited, reviling in cliché and shot to look as shiny as a newfound penny, Gangster Squad is 2013’s first disaster, and instead of waiting four months to throw it into multiplexes Warner Bros would have been better served to have left it on the shelf unreleased.
These artists don’t give in and they refuse to give up, Quartet proving once again that if you can maintain a song in your heart and keep a dance in your step being young is an ongoing state of grace that potentially could last forever.
Do not let the title fool you, Cheerful Weather for the Wedding is hardly the joyous, maybe even celebratory event some might suspect it to be. There is comedy and there is romance, but a romantic comedy this adaptation of Strachey’s novella this movie certainly is not. And that’s just fine.
Texas Chainsaw 3D isn’t just a bad movie, considering the potential evident during the first third and showcased during the final scene it’s also a disappointing one, the first wide release of 2013 a sad reminder that some wells just shouldn’t be returned to.
Who are we? Where do we come from? Where do we go from here? Are we alone in the universe? These are just a few of the questions Prometheus asks, the end product not so much reaching for answers as it is more interested in reigniting the cooling embers of an age-old debate.
Safety Not Guaranteed is not your normal time travel comedy/drama/romance/mystery hybrid.
The Intouchables balances precipitously at the edge of melodramatic excess yet somehow never falls over into that particular ravine.