I’m not entirely sure Paddington, adapted from the works of creator Michael Bond, could be any more delightful than it actually is, the film as divine a piece of family entertainment as any I could have fantasized about. A loving homage to the source material.

Coupled with how insufferably nondescript the protagonist ends up being helped make Dark Summer one ghostly foray into terror I shouldn’t have logged in for.

As it is, however, Fogel and Lefkowitz have delivered a wonderfully entertaining debut that’s difficult to resist even if it is marginally tough to love, Life Partners ultimately as messy, and as endearing, as the friendship it so exuberantly revolves around.

Predestination, as whacky, odd and haphazard as it oftentimes might be, is just a heck of a lot of brain-twisting fun.

Subtle and beautifully heartfelt. Selma is an important movie, yes, but it is also a great one.

Nothing feels the least bit cinematic, Taken 3 an instantly forgettable, straightforward money grab and little, if anything, else.

It would have been nice had The Woman in Black 2 elected to take a few more risks, go places that were not foreseen right from the start.

There will be those that who try to convince people 2014 was a weak year for film. They would be wrong.

Richard Linklater’s 12-years-in-the-making coming of age drama Boyhood following a young boy from 6 to 18 was a revelation for a number of reasons, not the least of which is its breathtaking, magnificently simplistic authenticity.