But with Mean Girls Waters and Fey do what they can to show scrubbing off one’s humanity for a mechanical glassy-eyed façade is something that should be avoided. In the end, life in plastic just isn’t worth the effort.
It’s a beautiful screenplay overflowing with moments of such sudden, tight-fisted insanity that frequently knocked my socks off, all of its coupled with a poignant purity that’s beyond terrific. As early-year movies go, Eternal Sunshine of the Spotless Mind isn’t just a surprise, it’s a bona fide cinematic miracle I’m not ever going to forget.
Elf isn’t Christmas cheer, it’s Christmas excrement, and here’s hoping it finds its way to the sewers as fast as possible.
Finding Nemo is a timeless film that again establishes Pixar as a true dream team where it comes to computer-animated filmmaking, their latest worth diving into the moment the box office opens and tickets go on sale.
City of God is a story about the nature and structure of continuous poverty and violence and the effects that combination has upon a society free to govern, protect and rule itself. It is Cidade de Deus’ tale, and Rocket, Lil’ Zé, Benny and the rest are only brief chapters in its narrative.
As a film guaranteed to impress and absolutely assured to make an audience think, Far from Heaven is nothing less than divine.
This gigantic undertaking is never anything less than stunning for practically every second of its almost three-hour running time, The Lord of the Rings: The Two Towers surpassing the considerably large expectations of an over-eager audience at nearly every opportunity.
There are far too few films that make me giddy and excited about the art of cinema. Adaptation is one of them. See it at once.